Category Archives: Eid Al Fitr

Rumaysa: A Fairytale by Radiya Hafiza illustrated by Rhaida El Touny

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Rumaysa: A Fairytale by Radiya Hafiza illustrated by Rhaida El Touny

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This middle grades retelling of the classic fairytales: Rapunzel, Cinderella, and Sleeping Beauty, replaces white characters with diverse Desi characters, reclaims female characters’ empowerment, and weaves the stories together with Rumaysa first freeing herself, and then using a magic necklace that takes her to those in need  (Cinderayla and Sleeping Sara) in her quest to find her long lost parents.  After a few chapters, I started writing a list of gaping-huge-ginormous plot holes, they are frequent and laughable, then I took a deep breath and recalled the similar eye-rolling inconsistencies that plague perhaps all fairy tales, but specifically Disney-esque ones. Once I let go of trying to understand why Rumaysa is wearing hijab while locked in an isolated tower, or how the witch can’t remember her name, but Rumaysa knows the name her parents gave her when she was kidnapped on the day of her birth, or that she knows she was kidnapped and her whole backstory, just to name a few, the book was much more enjoyable.  I still have major issues with some of the forced Islamization and cultural tweaks, but not because they existed, but rather because they weren’t strong enough.  Why have an Eid ball for all the fair maidens in the land.  It was awkward to read all the young people showing up to pair off, and then people asking the prince to dance, and him saying he didn’t know if he could.  Why not just make it an over the top Desi wedding with families, where dancing and moms working to pair their kids off is the norm. Having it be a ball for the maidens in the land, just seemed like it was afraid to commit to the premise of twisting the fairytales completely.  There are a few inconsistencies, however, that I cannot overlook.  This is a mainstream published books and there is at least one spelling error and grammar mistake.  I could be wrong, as it is British, and I am by no means competent in even American English, but I expect better.  Even content wise, Prince Harun for example, is wearing a mask, but the text comments on his blushing cheeks, eyes, eyelashes, and smile, not a typical mask perhaps? And don’t get me started on the  illustrations, the same awkward ball has Ayla leaving, and in the picture not wearing a mask concealing her face as the text states.  Overall, the inside illustrations are not well done.  The cover, by artist Areeba Siddique is beautiful with the shimmery leafing on the edges, that would have brought the inside pages a lot more depth and intrigue than the ones it contains.  Despite all the aforementioned glimpses of my critiques to follow, I didn’t hate the book and quite enjoyed the light handed morals and feminism that was interwoven with clever remarks and snark. The first story has Rumaysa wearing hijab, finding a book about salat and praying.  The second story takes place on Eid and Ayla eats samosas, discusses Layla and Majnun, and has a duputta. The third story I don’t recall any culture or religious tidbits other than keeping with the consistency of cultural names.  There is mention of romance between an owl who has a crush on a Raven, but the heroines themselves are learning to be self sufficient from errors of their parents/guardians and are not looking for any males to save them.  Other than that the book really needs an editor and new illustrations, I can see fairytale loving middle grade kids reading the book and finding it enjoyable, or even younger children having it read aloud to them a few chapters at a time, and being drawn in to the stories and eager to see what happens next. It would work for that demographic, but perhaps no one else.

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SYNOPSIS: (spoilers)

Rumaysa’s parents steal vegetables from a magical garden when there is no food or work to be found, as a result when Rumaysa is born, the owner of the garden, an evil witch, takes Rumaysa and places her in a tower protected by an enchanted forest and a poisonous river.  No one can get in, and Rumaysa cannot get out.  In the tower Rumaysa reads, no idea how she learned, and spins straw in to gold as she sings a song that channels the magic she consumed in utero from the stolen garden.  With only rations of oats to eat, a friendly owl named Zabina frequents Rumays daily and brings her berries and news .  When he brings her a new hijab, Rumaysa has the idea to lengthen the hijab with bits of gold over time, so that she might escape.  When she finally gets her chance, she is met by a boy on a magic carpet named Suleiman, and is both shocked and annoyed that someone got close to the tower, and only after she saved herself.  The two however, and Zabina, are caught by the witch and must escape her as well.  When that is all said and done, Suleiman gives Zabina a necklace that takes one to someone in need of help.  His parents want him to save a princess, he wants to study in his room, so he hands off the necklace hoping it will help Rumaysa find her parents, and he heads off on his flying carpet.

The necklace doesn’t transport Rumaysa to her parents, however, it takes her to a street where a girl is throwing rocks in desperation having been denied attending an Eid ball after her dress was torn to shreds.  The story starts with Ayla’s back story before Rumaysa arrives, but the two girls befriend each other, Rumaysa uses her magic gold weaving abilities to conjure up a new and beautiful dress and golden shoes and the girls head to the ball.  When Ayla heads off to get samosas she meets the prince, but doesn’t know he is the prince.  They argue about the play Layla and Majnun and when her stepmother asks about the dress, Rumaysa and Ayla make a run for it.  A shoe is lost, the stepmother comes to know, the guards search for the missing girl, and all is well.  Except Harun is incredibly shallow and superficial and only interested in Ayla’s clothes and status, so she rejects him and points out that she is much too young for marriage.  She instead reclaims her home, fixes her relationship with her stepsisters and begs Rumaysa to stay.  Rumaysa makes her excuses and is whisked away to a land that is being ruled by a man and his dragons.

Originally the land of Farisia is ruled by King Emad and Queen Shiva, but they have become unjust and disconnected from their people.  When Azra gets a chance to steal Princess Sara and take the kingdom, he does.  Rumaysa arrives to free a sleeping Sara from the dragon and restore apologetic and reformed leaders to the thrown.

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WHY I LIKE IT:

I do like the spinning of familiar stories and either updating them, or twisting them, or fracturing them, so I am glad to see an Islamic cultural tinge available.  I feel like the first story was the strongest conceptually even if the details and morals weren’t well established.  The second story was strong in the messaging that Ayla, and any girl, is more than just a pretty dress, but the premise was a little shaky and not that different from the original.  The third story was a little lacking developmentally for me and all three I felt could have gone stronger in to the religion and culture without alienating readers or becoming heavy.  There are characters illustrated in hijab, some in saris, some in flowing robes. Princess Sara is noted to be a larger body type and I appreciated that in elevating the heroines, other’s weren’t put down.  Even within the book, there is diversity which is wonderful.  

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FLAGS:

There is lying and stealing with consequences.  “Shut up” is said.  There is magic, death, destruction, and a brief mention of an avian crush.

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TOOLS FOR LEADING THE DISCUSSION:

I could see this being used in a classroom for a writing assignment to urge students to write their own tales.  I think it is fourth or fifth grade that children read fairytales from different points of view: think the three little pigs from the wolf’s perspective or the Stinky Cheese Man and Other Fairly Stupid Tales, and this book would lend itself easily to that lesson as well.

Hannah and the Ramadan Gift by Qasim Rashid illustrated by Aaliya Jaleel

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You may have seen this new 40 page Ramadan book that came out yesterday and thought, “another book about what Ramadan, is and a girl being told she is too young to fast, I’ll pass.”  And I’m here to tell you, please reconsider.  This book is wonderful and it is not the same-old-same-old.  I know the title and cover don’t hint at the heartfelt story within, but it really does an amazing job of showing, not just telling, about the feelings and purpose of Ramadan beyond the restraining of food and drink.  The text is a bit heavy, but the illustrations keep even four and five year olds engaged, and the story works for Muslim and non Muslim children alike.  The OWN voice book has a Desi slant with Urdu words, Pakistani clothing and featuring an immigrant family, but the cultural tinges are defined in the text and it flows smoothly.  This would be a great book to share with your children’s class to show how Ramadan is more than just going without food, or being just one day, or one act of kindness, it is an ongoing effort to show kindness to those near and far.  The book shows an authentic Muslim family and presents universal themes, making Ramadan and Islam more relatable and familiar to all readers, and inspiring Muslim children to find their own ways to save the world.

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The book starts with Hannah being woken up by her paternal grandfather, Dada Jaan, it is the first day of Ramadan, and she is excited.  She hopes that now that she is eight years old, she is old enough to fast.  Her heart sinks when she is told, “Fasting is for grown-ups, not for growing children,” but her spirits rebound when Dada Jaan tells her that she is going to celebrate Ramadan by saving the world.

The first thing Hannah and Dada Jaan do is collect cans from the pantry to take to the soup kitchen.  Dada Jaan explains what a soup kitchen is, and why it is important to help those that don’t have enough food.  Hannah is worried they won’t be able to help everyone in the whole world, but Dada Jaan encourages her to start with her neighbors.

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Later in the day, Hannah’s friend loses a beloved family necklace, and when the bell rings she doesn’t want to be late for class, but she remembers that she is supposed to help, so she does.  Hannah finds the necklace, but her teacher is not happy when she comes to class late, and Hannah isn’t even given a chance to explain.

On the 11th day of Ramadan, Hannah and Dada Jaan decide to save the world again before they head off to the science fair.  They are packing up clothes to take to the shelter.  Hannah is worried that the people at the shelter won’t know that they are the ones that donated the clothes.  Dada Jaan says that it is enough to help people out of love and adds that the best superheroes work in secret.

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At the science fair Hannah sets up her model replica of Abbas ibn Firnas’s flying machine next to her friend Dani.  When Dani runs off to see a robot, his globe rolls off the table and Hannah saves it. Dani ends up winning and she is happy for him, but she is sad that no one knows she saved his project.

Twenty days in to Ramadan, Hannah has a play date with a girl she has never met before and Hannah does not want to go.  Sarah is new to the neighborhood and Hannah’s mom insists she goes.  Luckily Dada Jaan strikes up a deal that he will take her and they can leave when ever she wants.  Hannah and Sarah have so much fun together, Hannah doesn’t want to leave.

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When they get home, Dada Jaan shows Hannah old photographs of when he and Dadi Jaan had first come and didn’t even know the language.  They talk about how the kindness of others helped them, that and Dadi’s butter chicken.  The night before Eid, Dada Jaan asks Hannah if she helped make the world a better place, she doesn’t think she did, but he seems to think otherwise.

On Eid day they go to the mosque, then to the cemetery to pay respect to Dadi Jaan, and when they return home they find Hannah’s whole world there to celebrate with her.  Cousins, friends Maria and Dani from the church across the street and the synagog by the mosque, as well as the Sikh family that runs the soup kitchen.  Dada Jaan and Hannah enjoy gulab jamun, kheer, and jalebis as they discuss if Hannah really did help the world this Ramadan.

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It is hard in my heart to go wrong with a story that focuses on an amazing grandfather/granddaughter relationship that ends with them racing to get the last gulab jamun, so I might be a little bias.  But I was genuinely surprised and delighted by the direction the book took and the way it presented Ramadan in everyday situations that children can relate to and imitate. I was a little disappointed that the book wasn’t larger considering the phenomenal illustrations.  It is just 8.5 x 11.  I love that the characters pray and read Quran, and the mom covers and the neighbors are diverse.

Elisha the Eid Fairy by Daisy Meadows (Rainbow Magic)

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Elisha the Eid Fairy by Daisy Meadows (Rainbow Magic)

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If you are familiar with the Rainbow Magic fairy books, you know they are never ending, there are currently 228 titles in the collection that cover beginning readers, early chapter books, and longer solo chapter books.  They cover seasons, colors, flowers, jewels, musical instruments, pets, friends, holidays, etc., and now festivals.  They may not be the most intellectually stimulating, but they serve a purpose in getting young readers confident and engaged.  My daughter loved them in first and second grade and when this book was delivered a few days ago, she was so excited to see a Muslim fairy.  She is 14.  Representation will always matter, even when the story is a bit hokey and random, to see yourself in a beloved series, has power.  Yes, the story is predictable in the 80 drawing filled pages, but for first and second graders it is fun.  Elisha wears western clothes with her hijab, has a magical Pelita lamp that brings Eid joy to the human world, and hosts feasts with international foods.  Yes, the fairy is Muslim and Eid joy after Ramadan comes from an oil lamp apparently, it is a stretch, and if you are not comfortable with this imaginative representation of Eid joy coming from a magical creature’s enchanted item, then please don’t waste your time.  If your kids already read books about fairies, this book might be of great delight to them, and be a great conversation starter for you to have about what really makes Eid a joyous time.

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SYNOPSIS:

Jack Frost is still determined in this the third book in the four part festival series, to cancel Eid, Diwali, Hanukkah and Buddha Day to create his own Frost Day.  With the sighting of the new moon, in this book Eid is under attack.  Humans Rachel and Kirsty are summoned to help find Elisha the Eid Fairy’s magical Pelita lamp.  But, Elisha goes missing and the girls arrive on Festival Island to find goblins destroying the Eid decorations.  The fairyies divide up and Rachel and Kirsty in their fairy form are off to find Elisha, while the other fairies handle the goblins.  They find her in a tower surrounded by a hail storm, the can’t get her out unless they find her wand.  Once they find her wand they have to find her magical item.  The goblins have it and are trying to teach it to make Frost Day treats instead of the kleichas and baklava and turkish delight that it keeps creating.  With quick thinking, and an impromptu dance lesson, the lamp is recovered, Eid joy is saved, and the girls return to the human world, knowing that one more festival will need saving in the near future.

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WHY I LIKE IT:

First of all, I didn’t know what a pelita lamp or kleichas were, so I did learn something once I Googled it, but I’m not entirely convinced that a pelita lamp (sometimes it is capitalized and sometimes it isn’t) is critical to the celebration of Eid.  Aside from the religious uncomfortableness of attributing Eid joy to a magical creature and her enchanted item, the concept of the lamp seems a bit weak.  I like that information about Ramadan is included and Eid Mubarak is mentioned a few times, but a little bit more about a lamp or lantern perhaps as a cultural relic, would have really made more sense even in this fragile framework.  

I like that multiple cultures are represented in the concept of Eid and Elisha, she isn’t boxed in to one culture, she is universal.  The themes of team work and friendship are always present in these books which is a great way to show respect for multiple religions and festivals.  Jack Frost at times seems to be a good villain, but more in theory than in reality.  His spell that the fairies are trying to break:  “Ignore Eid and Buddha Day, Make Diwali go away.  Scrap Hanukkah and make them see- They should be celebrating me!  I’ll steal ideas and spoil their fun. My Frost Day plans have just begun.  Bring gifts and sweets to celebrate The many reasons I’m so great!” spells out his plans and make him the right amount of scary for early readers.

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FLAGS:

The premise of where Eid joy comes from.  The goblins say “shut up” at one point.

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TOOLS FOR LEADING THE DISCUSSION:

It is a little young for a book club selection, but if you have Rainbow Magic books on your shelf, you should definitely have this one too.

 

Too Small Tola by Atinuke illustrated by Onyinye Iwu

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Too Small Tola by Atinuke illustrated by Onyinye Iwu

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This AR 3.6, 89 page early chapter book features three stories set in Lagos, Nigeria.  The main character and her family are Christian, but many of the neighbors are Muslim, and the third story is set in Ramadan with Easter and Eid falling at the same time.  The sense of community throughout the book, the OWN voice detail and charm make this book silly, warm, and delightful for first through third grade readers.

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SYNOPSIS:

In the first story Tola heads to the market with her Grandmommy.  Not the fancy mall, but the muddy market further away.  Her older brother Dapo is too busy playing soccer to help, her older sister Moji is busy with homework, that leaves little Tola to carry the items on her head with her tough as nails little grandmother.  Everyone says she is too small, but Grandmommy knows she can do it.  As they purchase the items, and neighbors call to have them pick up items for them too, the duo have to take lots of breaks on their way home, but Too Small Tola does it and proves to herself and others that she might be small, but she is strong.

The second story once again focuses on life in Lagos and the one bedroom apartment the family shares.  One morning both the power and the water are out and the jerry bottles need to be filled at the pump.  When some bullies trip Tola and the water spills, an elderly neighbor lady patiently waits for the right time to get her revenge on Tola’s behalf, and when the bully challenges the woman, the entire line stands together.  Tola may be small, but she stood for something and made a difference.

The final story involves the neighbor, Mr. Abdul, the tailor who lives downstairs, coming to measure Tola and her family for their new Easter clothes.  He let Tola measure everyone last year and praises her as the best measurer in Lagos, and Tola is eager to take the measurements this year.  When the tailor breaks his leg, he is worried he will not be able to ride his bicycle to his clients and will not be able to prepare the Eid feast and pay rent.  Tola knows they have been fasting all Ramadan and between her, Grandmommy, and Dapo they come up with a plan to help.  Dapo will peddle the bike and take Tola to measure everyone for their orders.  Tola may be small, but she can save the day for the Abdul family.

WHY I LIKE IT:

I love little Tola and her sassy grandma.  The book would lend itself so wonderfully to be read aloud as it bursts with personality and dialogue.  I love the sense of community in such a day-to-day life that would seem to stark and hard to most western readers.  Tola’s draws on those around her to find her strength, from her Grandmommy, to her neighbors, they may tease her that she is too little, but they also build her back up and stand with her.  I love the diversity in Tola’s world.  She seems so excited that Eid and Easter will be aligned and that after her services they will be joining the Abdul’s feast, such a great lesson of tolerance and respect without being preachy about tolerance and respect.  Young readers will enjoy Tola and the insight into Nigeria.

FLAGS:

Grandmommy lies when a neighbor calls her in the market to ask her to pick up his TV, she pretends the battery dies as she and Tola laugh at how ridiculous them carrying a TV would be in addition to everything else they are carrying.  There is bullying when Tola is tripped and then when Mrs. Shaky-Shaky trips the bully.

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TOOLS FOR LEADING THE DISCUSSION:

This wouldn’t work for a book club, but would be ideal in small groups, or to be read aloud.  There would be a lot to discuss as children would relate to Tola and find themselves cheering her on.

It’s Ramadan and Eid al-Fitr! by Richard Sebra

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It’s Ramadan and Eid al-Fitr! by Richard Sebra

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Sigh, another erroneous children’s nonfiction book from a holiday book series targeting classrooms.  This 24 page book is meant for pre-school to first grade and in addition to being vague and repetitive, states that Muslims have a holy book that was written in Ramadan.  It never states the Quran by name, and clearly it wasn’t written, it was revealed in Ramadan.  It later also states that Eid al-Fitr is the last day of Ramadan, failing to acknowledge that it falls on the first of Shawwal, when Ramadan is over.  The table of Ramadan dates at the end spanning from 2016-2022 is also problematic if you are trying to explain that we often don’t know until the night before when Ramadan and Eid will be because we need to sight the moon.  These errors may appear minor, but when they seem to fill every recently published children’s nonfiction book, it really makes the correction of such assumed facts that much harder to overcome.  If our non-fiction books are so consistently flawed, our sense of reality is being shaped erroneously, and imagine what else we have consumed as fact that isn’t accurate over the years.  Please speak out when you come across these errors, in Islamic books and all non-fiction works.

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The book is filled with simple short sentence and often repeats the same basic information on multiple pages.  The two page spreads contain the text on one side and a realistic photograph on the other with critical thinking prompts to consider.

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It starts off by establishing that Muslims have a calendar based on the moon, that Ramadan is the ninth month and it is a holy month.  The next page again reasserts that Ramadan is not one day, but a whole month before introducing the idea that families get together to pray.  The erroneous page about the Islamic holy book follows and then the concept of fasting: not eating or drinking during the day is presented.  The critical thinking point asks readers to consider how fasting might change your day.

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There is then a page about prayer which includes that we kneel on rugs, pray everyday, but pray more in Ramadan.  I’m not sure why this page didn’t follow the page that first mentioned prayer, especially since the next page goes back to talking about food which probably should have followed the page on fasting.

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The page about Eid being on the last day of Ramadan is then followed by more sentences over a few pages about Eid being a festival, there being food, and gifts. There is a table of Ramadan dates at the end, as well as an index and books to further read.  There isn’t a proper glossary because there really isn’t any vocabulary presented  in the vague descriptions, but there is a picture glossary with words such as celebrate, dates, gifts, and prayers.

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‘Tis The Night Before Eid by Yasmin Rashidi illustrated by Mariam Aldacher

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On the surface this 32 page inspired re-imagining of the classic Christmas poem might not seem that impressive, but it is really quite effective in highlighting general key points of Ramadan, the mix of sadness that Ramadan has gone too quickly with the excitement of Eid, and showing the diversity of Muslim families and communities.  The large 8 x 10 hard bound pages showcase fun and relatable illustrations that would help inform those unfamiliar with the holiday, while also mirroring and encouraging Ramadan and Eid excitement.  It is already a favorite at our house and with simple rhyming lines, the book can lend itself easily to more in-depth discussions (there is a glossary at the back) or be kept as a sweet flowing story that you don’t mind reading repeatedly at the prodding of toddlers and preschoolers alike.

img_8997The story starts with it being the night before Eid.   Ramadan has flown by, iftar eaten, dishes are put away, trips to the masjid for Taraweh have concluded and now it is time to prepare for Eid.  The house is cleaned, clothes ironed, sweets prepared and dreams of gifts filling the kids minds.

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The narrative bounces back to Ramadan to explain that fasting is not eating til sundown for 30 days, that Quran was revealed during the blessed month and that we hold on to the lessons of Ramadan all year long.

 

I pre-ordered mine from the author’s website https://rashidibooks.com/home , but it is also available at Crescent Moon Store https://crescentmoonstore.com/products/twas-the-night-before-eid.  There are also printables on the author’s website.

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Ramadan and Eid Al-Fitr: Traditions and Celebrations by Melissa Ferguson

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Ramadan and Eid Al-Fitr: Traditions and Celebrations by Melissa Ferguson

This 2021 nonfiction middle grade book about Ramadan and Eid al-Fitr breaks sections down by key concepts and the use of stock image photographs. The information is fairly accurate, no major flags, just a few awkward stresses: that kids look for the moon, that meat is so important at iftar, but most of the information is conveyed well. There is a glossary, more books to check out, internet sites to visit, an index, and pronunciation guide. The Capstone published, 32 page book, shows diversity in the pictures- some women with hijab and some without, different skin tones as well, and while it might not be the most tempting book to pick up, the text is inviting for non Muslims to understand Ramadan and Eid, how to join their Muslim friends in being kind and forgiving, and answers a lot of questions in a straightforward manner. Muslim children will also enjoy seeing their beliefs explained in a positive manner to readers in a book that stays religion focused and doesn’t get distracted by culture.

The book sections are: What is Ramadan?, When is Ramadan?, What does Fasting Mean?, Suhoor, Iftar, The Qur’an and Prayer, Acts of Kindness, Ramadan at School, and Eid Al-Fitr. It starts by introducing a fictional character named Ayesha reading the Quran with her family. It is the start of Ramadan, a month of praying, fasting, spending time with loved ones, and trying to be better people.

It then explains the lunar calendar before discussing that fasting is a choice to not eat or drink from dawn until sunset. It also notes that children and the sick and elderly are not required to fast.

It talks about eating healthy foods early in the morning before praying the first prayer of the day. It details iftar being dates and water, followed by the sunset prayer and then a large meal after that.

It is very clear in explaining that Muslims believe it was during Ramadan that God began to teach Prophet Muhammad the Quran more than 1,400 years ago. It identifies our five prayers and that people can pray at home or in mosques and that children learn to pray with their parents as they grow up.

The book then becomes a little more unique as it gives time to the aspect of kindness in Ramadan. It gives examples of what Muslims do, from raising money and hosting large dinners, to buying and donating a toy. It even dedicates a whole page to children doing kind acts with little to no money: setting the table, making a card, smiling. It encourages non Muslims to join a Muslim friend in doing an act of kindness too.

The next section, is similarly unique in talking about Ramadan at school and how often at school we learn about different religions in our neighborhood. It gives bulleted suggestions on how to learn about Ramadan in school and how to say Ramadan greetings. The book concludes with Eid Al-Fitr and coming back to Ayesha and her family celebrating.

Zara’s New Eid Dress by Nafisah Abdul-Rahim

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Zara’s New Eid Dress by Nafisah Abdul-Rahim

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The search is on for an eid dress that reflects Zara’s African American Muslim culture.  This much needed representation highlights more of looking for a dress and the process of having one made, than providing information about Eid or the African American Muslim experience over its 30 pages.  Iftar is mentioned on one page in parentheses, so if you omit that word it could reflect either Eid preparation.  The book is cute if you are looking for a slice of life and coming together of a child, mother, and grandmother over the creation of a dress that has what Zara is wanting: pink, fluffy and containing flowers.  It falls short if you are looking for a book to learn about Eid, Ramadan, what a cultural African American Muslim dress would look like, or a peek into an under represented culture.  The illustrations are sufficient.  I felt the girl looked younger in some of the depictions, and I was surprised that the girl’s rain boots and clothes were worn over multiple days in her search for a dress, picking out fabric and inside her house when the dress is completed.  Similarly, on Eid day while her dress is stunning and fabulous, her friends are wearing the same eid clothes they wore at the start of the book from years past.

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Zara has worn a salwar kameez from Pakistan with her friend Sana, an abaya like her friend Noura one year too, but this Eid, she wants a dress that shows “her own style, her heritage, a reflection of her culture as an African American Muslim.  As her mom is preparing iftar she asks when they can start shopping for her Eid dress.  She knows it won’t be easy to find and convinces her mother to start looking this weekend.

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She pulls on her rainboots as they head out the door to find “something bright, pink, fluffy, and has flowers on it.” They go to several stores and kind find anything just right.  Her mom suggests asking Nana to make it.  Zara’s mom recalls the fabulous dresses her mom used to make her to wear on Eid.

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Nana and Zara head out to the fabric store the next morning. First they find the pattern, then they find the fabric.  After a few days of hard work for Nana, the dress is complete.

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On Eid day, Zara meets up with her friends in her dress that is uniquely her own.

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Eid al-Fitr: Festivals Around the World by Grace Jones

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Eid al-Fitr: Festivals Around the World by Grace Jones

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NO! NO! NO! NO! NO! Seriously, astagfiraAllah! This 24 page middle grades non fiction book about Islam and Eid published in 2018 with smart-board connections and QR scan media enhancements on its surface would seem to be a great classroom all-in-one to learn about the basics of celebrations, Islam, Ramadan, and Eid.  BUT, NO! The information is all sorts of off, and there is an illustration depicting Prophet Muhammad (saw).  How is this sort of ignorance even possible? This isn’t even a Karen Katz My First Ramadan depiction where you can possibly argue and stretch that it isn’t a depiction of the Prophet, but just of the people.  Every picture in the book is a photograph, except on the page talking about the first revelation, it is an illustration and there are no other people on the page, just a picture of the Quran.  I encourage you all to see if your public library shelves the book and ask them to pull it. ****UPDATE: My library pulled it, and the publisher has halted sales of it. Alhumdulillah! We must remember we can use our voices to make a differences, that people are receptive and willing, not always, but we won’t know unless we try.  ****

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The book covers nine topics on two page spreads ranging from the generic what is a festival, to what is Islam to prayer and worship and festival food.  The book has a little girl Noor that pops up on pages to tell you how to say a word and has a glossary with her definitions at the end.  Even the definitions at the end about the foods are wrong, they seem to have switched ma’amoul and sheer khurma.  To it’s credit the book has a photographs of a lot of diverse Muslims celebrating Ramadan and Eid, unfortunately so much is wrong, from little things saying that “Sheer Khurma is traditionally eaten for breakfast during Eid,” to “Muhammad spread Allah’s words to other people by writing them down in a holy book…”.  

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It has in quotes that a voice from the sky called to Muahmmad, “You have been chosen to hear Allah’s words.”  This quote and its source are nor footnoted or referenced, clearly they are not from surah Al Alaq.  I’m not sure where they are getting this from.  There are no salutaions after Rasulallah’s name nor is Prophet before it.

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Other informative sentences are vague and suggest misinformation.  It says that we believe in Allah and pray to him in a mosque, which yes is fine, but we also pray to him in other places five times a day and the way it is worded, I don’t think that would be understood.  I feel like the role of the imam is also overly elevated in the book.  The takeaway I assume would be that only an Imam can lead a prayer and we must always pray in a mosque.  

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Ultimately the biggest problem I have in the book is the depiction of our beloved Prophet.  I can forgive that they assume eating a random dish for Eid is religious and not just cultural, but I can’t forgive such basic ignorance in a book that presumably is trying to teach about a faith to reduce ignorance and misunderstandings.

 

Ramadan’s Coming by Rabia Bashir illustrated by Laila Ramadhani

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Ramadan’s Coming by Rabia Bashir illustrated by Laila Ramadhani

img_8785I think the illustrations in this 40 page picture song book are my favorite of the new 2021 books.  They are adorable and expressive and a big part of the story that the text alludes to, but doesn’t detail.  They also are a big part of the activities at the end of the book that encourage children to go back and find different Ramadan and Eid concepts to discuss and further understand.  I absolutely love that there is a glossary and a reference page that details and attributes the hadith implied in the simple sing song-y words.  The chorus is to the tune of jingle bells, and while I struggled to maintain the rhythm, the chorus reappears and if you are able to sing the book, your children will love it even more, haha, my voice and lack of rhythm forced me to read it, but either way it is absolutely delightful and informative for toddlers and up.

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It starts out with the refrain that Ramadan is here and we will fast and pray and that Allah (swt) will give us more rewards and we will do more good deeds, than on normal days.  It then shares that Ramadan is the month after Shaban when the Qur’an first came down and that we look for the crescent moon to know when Ramadan is here.  It is important to note that the words flow and are so concise you don’t even realize that much information has been conveyed.

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The chorus repeats and shows a family praying, kids helping vacuum, and giving socks to homeless.  The family then wakes up early for a healthy suhoor, no food or drink, thinking about how the poor must feel and then having iftar with a sticky sweet date and water.  Sometimes you eat so much your belly protrudes (a great vocabulary word for little ones). The next page has salat starting and those that ate too much wishing they would have left space for air and water.

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The chorus repeats again showing zakat being given, iftars being eaten in segregated large groups, before looking for Laylat ul Qadr takes place and some children read Qur’an in an itikaf tent. Then it is time for Eid hugs, salams, prayer, food and fun.

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On one page, the grammar of one line seems off, perhaps an extra word was added.  I contacted the author to see if it is an error as it is part of the chorus, but only appears wrong in one place and one time.  Even with the error, I would happily encourage this book for families with toddlers, preschoolers, and kindergarteners.  It will be read multiple times, and the pictures will hopefully offer something new with each reading as understanding increases.

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The copy I purchased from Amazon is 8.5 by 8.5 paperback, I’m not sure if they will be available from the publisher as a board book or without faces like so many of their books are.