Category Archives: Story Time

Halal Hot Dogs by Susannah Aziz illustrated by Parwinder Singh

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Halal Hot Dogs by Susannah Aziz illustrated by Parwinder Singh

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I’m not sure what I expected this book to be, I just knew I wanted to get my hands on it, but I’m fairly certain, that even if I would have had some expectations, they would have been no where near how well done this 40 page book for four to eight year olds is overall.  It is unapologetically American-Palestinian Muslim in an inclusive funny delightful way, that only an OWN voice book can be. There have been some great picture books lately that are authentic, yet mainstream, and this book pushes that standard just a little bit higher as it normalizes jummah, halal food, dabke, hijab, with familiar threads of street food, spunky little sisters, untied shoelaces, tradition, and excitement.  The story has a twist and some intentionally misleading foreshadowing, that give the book depth and added fun.  Readers of all backgrounds will relate to this book and find something that they can relate to, as they laugh and marvel at Musa’s infectious enthusiasm for hot dogs. img_0610

Musa Ahmed Abdul Aziz Moustafa Abdel Salam, aka Musa, loves Fridays.  His family heads to the masjid for Jummah prayer and then home for a special Jummah treat.  Lately, they’ve had molokhia, that stayed in their teeth for a week, kufte kabobs that were better for soccer playing than eating, riz bi haleeb with lost dentures, and prelicked jelly beans.  Alhumdulillah, this week is Musa’s turn to pick, and he is picking his favorite: halal hot dogs with Salam sauce.

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They head to the mosque dancing dabke as they leave their house with smiling faces.  The khutbah is long though, and during salat his stomach is roaring! Afterward he is off, but Seedi has to help Maryam find her red shoes in a sea of red shoes and mama is chatting with friends. 

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Dad gives in and lets Musa go get the hot dogs alone.  As he heads to the stall with the best hotdogs: the perfect amount of hot, chewy, juicy hot dog goodness, he passes all sorts of foods being eaten.  There is falafel and bao and tacos and samosas and churros, but he is determined to get hot dogs, even though the line is really long.

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He sees friends in line, and firefighters, and even his school principal.  Everyone loves hot dogs, even birds and squirrels.  Finally he buys a whole bag full with special Salam sauce and races home to share with everyone.  But uh oh, it doesn’t go as planned, and I’m not about to spoil it, so get yourself a copy like I did from http://www.crescentmoonstore.com or your library, and maybe don’t read it while you are fasting, because you will be craving hot dogs, mmmmmm nom nom nom.

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There is an Author’s Note at the end that details her kids’ influence on the story and explains that a portion of the proceeds go to UNRWA USA, a non profit that helps Palestinian refugees.  There is a glossary of Arabic Words and Terms, and a section explaining Halal Laws.

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The book shows the mom in hijab outside the home, and uncovered within the home.  There are diverse skin colors among the Muslim and non Muslim characters in the book, as well as a variety of ages depicted.  Seedi wears a keffiyah on Jummah, but different clothes on different days.  The illustrations are wonderful and descriptive and do a lot to compliment the story by setting a relatable and diverse-positive visual.

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Salaam, World by Samia Khan illustrated by Teresa Abboud

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Salaam, World by Samia Khan illustrated by Teresa Abboud

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This 26 page rhyming picture book starts out basic enough with salaam being said from various locations, but it digs a little deeper as the book progresses to explain what salaam means, and how to respond. A good introduction to the greeting of peace for ages three and up. The pictures are jungle animals testing out the word and the 10 by 10 size is sufficient for bedtime and in small groups. My picky critiques are I don’t like the font as I think it is hard for early independent readers to decipher when capitalized, words such as “catastrophic” and “salutation” are a bit advanced for the demographic, and I wish there was a bit more Islam in the book, but overall it is sufficient, and an effective tool to helping get little ones to say salaam.img_0246

“Salaam from above, salaam from below, salaam from the mountaintops covered in snow,” is how the book begins as a cat hanging from a tree and braving the elements offers his greetings. A donkey then asks us to hold up and explain what the word means.

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Salaam is defined as meaning peace in Arabic and a word that Muslims use that is like ‘hello’ only kinder. It is sending peace to those you say it to, and a show of respect. The animals say it to others before noting that you can say it short or long: Salaam or Assalamualaikum.

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The book then asks how to respond before teaching us to say walaikum-assalam and telling us not to be alarmed the next time we hear the greeting, but to return it and spread it.

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David’s Dollar by Tariq Toure’ illustrated by Anika Sabree

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David’s Dollar by Tariq Toure’ illustrated by Anika Sabree

This early elementary 20 page story is an entertaining, yet informative look at community and economics on a kid’s level.  It features black Muslim characters, business owning women of color, commerce, charity, and relevance.  I loved the cadence of the book, the illustrations, and the simple text. Sure, maybe a dollar isn’t much and it is a transparent simplistic view, but it makes the point of how when you shop local everyone benefits, and how the path money takes impacts everyone it touches.

David is getting his dollar after doing his chores, and he is ready to head to the candy shop to see what to spend it on.  At Sammy’s sweets, he decides to get five peppermints, and just like that his hard earned money is gone.  He asks his dad where the money went and off they head to Mansa’s juice shop. When Sammy comes in and buys a drink, out comes David’s dollar and now it is in Mansa’s hands.

David and his Daddy follow the money and see it change hands at Layla’s Pizza Shop, and then Madame C’s Braids, before heading to Uncle Kareem’s hardware store where the dollar too has ended up.  It is time to pray so Uncle Kareem, Daddy, and David head to the mosque.

After Salah the Imam tells the crowd that a family’s house has burned down and they are collecting sadaqah.  David tells Uncle Kareem that that dollar should go to the family.  At night, David recalls all the places his dollar traveled and resolves to learn more math.

The book starts with a beautiful heartfelt gratitude message to Allah swt and the community of supporters.  The end of the book features a detailed bio of the book’s poet author and his successes and praises.

The story is rooted in an Islamic community, but is for all readers of all faiths.  There is no preaching or details about belief. many women have hijab on, there are Islamic names, they go to the mosque, they pray, and they give sadaqah.

Hannah and the Ramadan Gift by Qasim Rashid illustrated by Aaliya Jaleel

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You may have seen this new 40 page Ramadan book that came out yesterday and thought, “another book about what Ramadan, is and a girl being told she is too young to fast, I’ll pass.”  And I’m here to tell you, please reconsider.  This book is wonderful and it is not the same-old-same-old.  I know the title and cover don’t hint at the heartfelt story within, but it really does an amazing job of showing, not just telling, about the feelings and purpose of Ramadan beyond the restraining of food and drink.  The text is a bit heavy, but the illustrations keep even four and five year olds engaged, and the story works for Muslim and non Muslim children alike.  The OWN voice book has a Desi slant with Urdu words, Pakistani clothing and featuring an immigrant family, but the cultural tinges are defined in the text and it flows smoothly.  This would be a great book to share with your children’s class to show how Ramadan is more than just going without food, or being just one day, or one act of kindness, it is an ongoing effort to show kindness to those near and far.  The book shows an authentic Muslim family and presents universal themes, making Ramadan and Islam more relatable and familiar to all readers, and inspiring Muslim children to find their own ways to save the world.

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The book starts with Hannah being woken up by her paternal grandfather, Dada Jaan, it is the first day of Ramadan, and she is excited.  She hopes that now that she is eight years old, she is old enough to fast.  Her heart sinks when she is told, “Fasting is for grown-ups, not for growing children,” but her spirits rebound when Dada Jaan tells her that she is going to celebrate Ramadan by saving the world.

The first thing Hannah and Dada Jaan do is collect cans from the pantry to take to the soup kitchen.  Dada Jaan explains what a soup kitchen is, and why it is important to help those that don’t have enough food.  Hannah is worried they won’t be able to help everyone in the whole world, but Dada Jaan encourages her to start with her neighbors.

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Later in the day, Hannah’s friend loses a beloved family necklace, and when the bell rings she doesn’t want to be late for class, but she remembers that she is supposed to help, so she does.  Hannah finds the necklace, but her teacher is not happy when she comes to class late, and Hannah isn’t even given a chance to explain.

On the 11th day of Ramadan, Hannah and Dada Jaan decide to save the world again before they head off to the science fair.  They are packing up clothes to take to the shelter.  Hannah is worried that the people at the shelter won’t know that they are the ones that donated the clothes.  Dada Jaan says that it is enough to help people out of love and adds that the best superheroes work in secret.

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At the science fair Hannah sets up her model replica of Abbas ibn Firnas’s flying machine next to her friend Dani.  When Dani runs off to see a robot, his globe rolls off the table and Hannah saves it. Dani ends up winning and she is happy for him, but she is sad that no one knows she saved his project.

Twenty days in to Ramadan, Hannah has a play date with a girl she has never met before and Hannah does not want to go.  Sarah is new to the neighborhood and Hannah’s mom insists she goes.  Luckily Dada Jaan strikes up a deal that he will take her and they can leave when ever she wants.  Hannah and Sarah have so much fun together, Hannah doesn’t want to leave.

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When they get home, Dada Jaan shows Hannah old photographs of when he and Dadi Jaan had first come and didn’t even know the language.  They talk about how the kindness of others helped them, that and Dadi’s butter chicken.  The night before Eid, Dada Jaan asks Hannah if she helped make the world a better place, she doesn’t think she did, but he seems to think otherwise.

On Eid day they go to the mosque, then to the cemetery to pay respect to Dadi Jaan, and when they return home they find Hannah’s whole world there to celebrate with her.  Cousins, friends Maria and Dani from the church across the street and the synagog by the mosque, as well as the Sikh family that runs the soup kitchen.  Dada Jaan and Hannah enjoy gulab jamun, kheer, and jalebis as they discuss if Hannah really did help the world this Ramadan.

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It is hard in my heart to go wrong with a story that focuses on an amazing grandfather/granddaughter relationship that ends with them racing to get the last gulab jamun, so I might be a little bias.  But I was genuinely surprised and delighted by the direction the book took and the way it presented Ramadan in everyday situations that children can relate to and imitate. I was a little disappointed that the book wasn’t larger considering the phenomenal illustrations.  It is just 8.5 x 11.  I love that the characters pray and read Quran, and the mom covers and the neighbors are diverse.

Is That a Teapot by the Toilet: A Muslim Child’s Potty Training Story by Rabia Bashir illustrated by Basma Hosam

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Is That a Teapot by the Toilet: A Muslim Child’s Potty Training Story by Rabia Bashir illustrated by Basma Hosam

I think I’ve loved every Bismillah/Precious Bees book I’ve ever read, and this book is no exception.  It is only the second children’s book I’ve ever seen on the subject of Islamic bathroom etiquette and I think combined with My First Muslim Potty Book, our little Muslims and their potty trainer adults are in a great position to explain, teach, laugh, and be successful in getting our little ones out of diapers and adopting Islamic Sunnahs and hygiene.   I love that this book is inspired by the author’s real life experiences, that it starts with a few WHO facts about the lack of access people have worldwide to a proper toilet with a portion of the book sales going to help those who lack hygienic facilities, and that the book is approved by a Sheikh.  Additionally, I love that there is a song that goes along with it (it isn’t posted yet, but will be shortly inshaAllah), that there are questions and games at the end with informative pages about istinja and the duas to be said, it is silly, the illustrations adorable and expressive, and overall just oh so relatable.  The book is perfect for ages three and up, and a great reminder resource for older kids that may need a nudge to stay on top of their bathroom behavior and feel normalized by seeing themselves in the pages.

It is a big day for mom and dad and Rayyan and Ridhwan.  Rayyan is going to start using the potty.  They have practiced entering the bathroom, but now they are going to do it for real: saying Bismillah and entering with the left foot first.  Only he uses his right, so they do it again, and it happens once more, and now mom and Rayyan are laughing and dancing.  The third time is the charm and in they go.

He sits on his little potty, and he goes, hurray, but when he starts to stand up, Mama explains that he must clean himself, all Muslims do.  Rayyan asks if that is a teapot when Mama lifts up what she calls in Bengali a bodna and his Urdu speaking father calls a lota.

Lota sticks and Rayyan is washed and ready to clean his hands before heading out the door with his right foot and saying Ghufranaka. So far so good, but it isn’t a one time thing.  There are a lot of days of accidents, but over time it gets better so the family decides to head out.  When all of a sudden Rayyan has to go, the family runs to a halal restaurant to borrow their restroom.

Phew they made it just in time, and instead of a teapot looking lota they have a watering can which makes his dad have to stand really far away to help him wash. Rayyan notices different places have lotas that look different than his does at home.  At a wedding they had to use a plastic cup, the mosque has a mini shower, at the park Mama pulls out a plastic bottle from her purse.  Rayyan decides he wants his own little bottle too, so they pick one out that he can keep in his backpack.  

One year later it is a big day for Ridhwan, he is about to start potty training, like kids all over the world. There is then a two page spread about many words different languages use to call the vessel that they use to wash themselves in the bathroom. There are questions to talk about regarding the story, a maze to get to the restroom in time, the Muslim Potty Training Song to the tune of the Hokey Gokey, which I’m assuming in America is the Hokey Pokey, a page answering What is Istinja?, Duas when using the toilet, the story behind the story, information about the illustrator and about the author.  All-in-all 48 pages.  

I purchased mine on Amazon, I think the local stockists will have it shortly and I would assume the bismillahbees.com website will as well.  I know the author recently had her father pass away, inna lillahi wa inna illayhi rajioon, so please make duas for her and her family, and be patient on the QR code and song which inshaAllah are forthcoming.

The Library Bus by Bahram Rahman illustrated by Gabrielle Grimard

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The Library  Bus by Bahram Rahman illustrated by Gabrielle Grimard

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It seems this polarizing 32 page picture book has instagram reviewers torn, perhaps along racial/cultural lines, as to whether the book is wonderful or simply victim to perpetuating the same old tropes and stereotypes.  Maybe being half brown, I shouldn’t be surprised to find myself in the middle.  I think if you are tired of feeling like the only strong Muslim female from the subcontinent acknowledged by the West is Malala Yousafzai, and seeing her single narrative and experience being repackaged in a new book every other week, then yes, this book is going to grate on a similar nerve and OWN voice or not, you will write it off as Afghanistan being close enough to Pakistan and the story of a girl and education being unoriginal.  I think the flip side is that if you find a female lead taking education in the form of a library bus to the places where formal education is not available and you love the empowerment that women educating women can have in changing a society, then you are going to probably love a female driving a bus, a female teaching, a girl planning to go to school, a grandfather making sure in a previous generation when women couldn’t be educated, that he taught his daughter, and being thankful that it is a person from the society and not a “white savior” coming to help the people in Afghanistan.  Both as far as I can tell have merit.  I think that you see in the book what your paradigm and perspective is before you even start.  I have read it and re read it and then read it again over the span of many weeks. I was alerted to it by @muslimkidsbooknook who sensed that we might disagree before she even posted her review (haha it’s like she knows me!), so my review is going to try really hard to focus on the text, and what it says, not on the 30 books before it that had a similar message or on my views on publishers only accepting manuscripts with reassuring easily palatable narratives, there is enough of that already about this book out there.  I’m going to try and offer my perspective on what the book contains and while it has problems for me, I definitely liked it more than I disliked it. Oh and one more thing: the illustrations, swoon, are gorgeous, like really, really beautiful. Bismillah…

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Pari and her mother are getting ready to set off in their library on wheels.  It is Pari’s first day as her mother’s helper and she is a little nervous. It is dark when Pari’s mom drives the bus to their first stop- a small village tucked in a valley between two gray mountains.  There are a group of girls waiting for the bus and call it over to return books and pick new ones.  This reminds me of my time in New England and hearing about the Book Mobiles and Mobile Book Fairs that would visit the small seaside towns that didn’t have proper libraries.  Even my mom used to tell me stories about waiting for the Book Mobile to stop on her street in Davis County, Utah to get books once a month.  The concept is universal and that it takes place in Afghanistan and is driven by a woman who is educated and independent, is intentional with the hopes of being inspiring.

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The girls then gather for a lesson, it is hard to know how impromptu it is or if it is a regular organized class.  It is also not made clear if they always practice English or it is something unique to the day, but they sing the alphabet song and count to ten.  After class a girl tries to chat with Pari and see how much she knows.  Pari lies and says she can print, but in reality can’t even read or write in Farsi yet. This shows a gap in the story as earlier Pari said she could barely count all the books in the library, and in the pictures there are a lot of books, but she is trying to keep up as the girls count to ten.  As the mom and daughter team pack up to head to their next location they discuss how Pari’s mama learned.

Pari’s grandpa taught her mom a long time ago, at a time when girls were not allowed to go to school and she had to hide in the basement to learn.  Pari wonders if her mom was afraid of the basement.  It is always dark down there.  It is really one paragraph on one page that mentions that girls could not learn.  It is presented in the past tense, and as the story progresses we learn that next year when Pari is older she will be going to school.

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There is a two page spread about the mom seemingly going off on her mantra that learning makes you free.  And I’m ok with it.  It says when you go to school study hard, period, then the next line says, “Never stop learning. Then you will be free.” Yes! I agree, how many of us pursued a skill or a hobby during this pandemic to feel free from the confines of staying at home.  Learning in any capacity is liberating.  It may not keep you safe in a war, but the freedom of the mind to find peace and pursue passions is critical to mental health and survival.  Am I reading too much in to these basic lines? Absolutely, well probably anyway.

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When the bus gets to a refugee camp with tents everywhere, Pari and her mom start handing out pencils and notebooks before settling in to what seems an organized English lesson of ABC.  I am torn on my thoughts about them stressing English over their own language.  A sense of pride in who they are by learning Farsi or Dari or Pashtu would show readers that Afghan culture is rich and worth learning and valuing.  I worry that by stressing the English, it presents the culture and language erroneously as the opposite.  At the same time, as a child and teen, I went to Pakistan over a dozen times and would beg my (middle class) cousins to teach me Urdu.  I’d make them take me to Urdu Bazaar for dictionaries and text books, and preschool grammar books so that I could learn my father’s language.  And it never happened.  I’d beg in letters before I got there, and they would agree, but when I arrived they all wanted to work on their English.  They wanted to practice it in conversation, they wanted me to read over their assignments, they would introduce me to their coaching center teachers, their principals, the tutors, and I’d find myself teaching them colloquialisms and explaining idioms, and I’d watch my “textbooks” gather dust.  This was before social media, and YouTube and Netflix and I was their link from their studies to the larger world that rewarded knowledge of the English language.  Is it correct or even logical? No.  But it was my experience that they desperately wanted to learn English over Urdu or the required provincial language Sindhi.  Would readers of this book know that? No.  Do critics of them learning English wish that it wasn’t the case more than wishing that the book simply didn’t highlight it? I don’t know.

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As they leave the camp, Pari reads the letters of the refugee organizations off the tents.  I find it off that earlier she called it ACDs instead of ABCs and yet now she knows the alphabet.  Again I’ve read the critiques questioning why the refugee camps are named and have over thought it.  In some ways I think it is a reminder that the country has been at war and that individual organizations are helping care for those displaced by countries that tore the country apart.  The text says that, “there are no schools for the girls in the village or the camps.” If anything I took this to show that while we stereotype Afghan society as not making education of females important, that international relief groups don’t either.  The great saviors aren’t teaching the girls in the camps, a mom and her daughter come once a week.  There is a subtle yet powerful critique of foreign policy there, if you want to really be honest, I think this should be made more clear.  At the end of the day the strong Afghan people are putting their country back together after a never ending illegal conflict has ravaged them further.

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The author says in his note at the end that this book is based on real people he met in refugee camps when he returned to his homeland and that this book is a tribute to the strong Afghan people, particularly the women.  Imagine where any war torn nation would be without the bravery and determination of mothers and teachers, and women who will risk it all for their children and ultimately an entire generation, when politics and power have found other things to value.

The book on its own I think is fine, allbeit written plainly for western readers.  Do I wish stories about life in this part of the world didn’t feature war and refugees and education, absolutely.  We can argue my experience compared to your experience, to the author’s purpose and intent, to the publisher’s vision. That is the beauty of books, we don’t have to agree and we can discuss and we can all be better for it.  There is nothing Islamic in the book other than some of the characters wearing a scarf or chador or hijab.

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Sadiq Wants to Stitch by Mamta Nainy illustrated by Niloufer Wadia

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Sadiq Wants to Stitch by Mamta Nainy illustrated by Niloufer Wadia

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This 40 page AR 4.5 book touches on gender norms and breaking cultural expectations, as well as a mother’s love and a child’s determination.  The beautifully illustrated pages show Kashmir’s landscapes and culture.  The message is for third graders and up with its longer passages and understanding of gender roles, but younger children will enjoy the story just as well.  My only concern is the timeline of the story, the mother has a week to make two embroidered rugs and worries when she awakens with a fever on the day the rugs are expected, exclaiming that she hasn’t even started the second rug.  How was she going to meet the deadline even if she wasn’t ill? Even with the extension, she asks for a few days, not a few hours.  That aside, the book is a lovely glimpse into a nomadic culture and people.  There is no glossary at the end explaining namaz or Chacha or Bhai, but there is a bit of information about the Bakarwals of Kashmir at the end that provides context and enhances appreciation.

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Sadiq wakes up to the sounds of the river Lidder, he prays and drinks his cha and heads to the meadow to milk the sheep and take them out to pasture.  His father died two years ago, and now the responsibility of the flock is his. After his chores are done he sits and watches his mother embroider.  He sometimes stitches his own patterns on the edges, but his mother does not like him sewing.

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When an order from the city comes in for two rugs by the end of the week, Sadiq offers to help.  His mother refuses his assistances claiming that the women stitch and the men tend to the sheep in their community. Sadiq dreams of the designs and colors he would like to sew and decides he will do so in secret.

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On the day when the rugs are to be picked up, Sadiq’s mother has a fever and cannot stitch.  When the man comes, Sadiq’s mother starts to explain that they are not ready, but Sadiq surprises them both with his completed rug.  The man likes it, but notes it is not what was ordered. Ammi wants to keep Sadiq’s rug and asks for a few more days to complete the second one, now that she has her son to help her.

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Abdul agrees to a few more days, and the next morning Sadiq’s mom has hung Sadiq’s rug for everyone to see, and is proudly crediting her son’s work.  She hugs him, just like she did in his dream, and chides him that she still expects him to do all his other chores before he sews.

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In My Mosque by M.O. Yuksel illustrated by Hatem Aly

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In My Mosque by M.O. Yuksel illustrated by Hatem Aly

I know I am a little late to the review party of this highly anticipated beautiful book, but for good cause: I wanted to test it out in a virtual storytime for preschool to third graders before I chimed in with my opinion of this 40 page picture book ideally for four to eight year olds, but wonderful for all ages. The hardback binding, the glossy pages, the AMAZING illustrations and the factual information at the end, make this one of my favorite books ever for Muslim and non Muslim readers alike. If you can, gift this book to your child, your child’s teacher, their friends, your friends, and ask your library to shelf it. It is unapologetically Muslim, and has the power to mirror our own love of our masajids as well as encourage others to stop in and visit if they are curious about what a mosque is like. After reading it aloud, my only critiques are the very thing pages that make it hard to turn when reading to a group, and the small font which is appreciated so that the illustrations can be enjoyed, but hard to read when the gloss causes a glare and the thin pages bow. The only words in the text that gave me pause is when the “imam tells us stories…” to explain the khutba and speech, and when it says after salat “I whisper heartfelt wishes.” I understand the intent, but feel like the word “stories,” isn’t the correct word for ayats and hadith, nor is “wishes” the right framing of duaa or longings. I also wanted there to be a page number in the references section referring back to the pages in the book that link the inspired illustration of mosques to the real ones detailed at the end. Undoubtedly minor stuff for a book that came with a lot of expectation and yet still managed to blow me away, alhumdulillah.

The book shows diversity of tones, body shapes, and mobility as it welcomes and invites you in to a mosque. The shoes are lined up like beads as you enter and you let your toes sink in to the carpet. We wear our best clothes and get hugs from aunties because we are loved. Grandfathers do thikr on tasbihs and its ok to snuggle up with your dad while he is praying. Grandmas are reading Quran and little kids help put out prayer rugs. The imam gives speeches about unity and that we are all from the same creator. The muezzin calls us all to prayer and we stand in lines linked together with friends like a long chain. Hijabs flow and sometimes we get distracted. We say greetings to the angels on our shoulders and whisper our wishes. We learn to help others, we play in the courtyard and gaze up at the domes. We feel safe and joyful like our friends of other faiths in their places of worship and all are welcome in the mosque.

The book does not shy away from Islamic words in Arabic, nor from faith references such as the “most High,” and “subhanAllah.” The glossary at the end covers their meaning and the text flows in a way that you can stop or review afterward with relative ease. The imagery in the text of the shoes like beads, and standing in salat like a chain, are warm and relatable, and the illustrations, they are magical. The expressions on the children’s faces as they try and pray and stay still, but alas are children and they are silly and sweet and not chided, but loved, is so refreshing in both the text and pictures. The different masajids that are referenced, and the detail make repeated visits to the book heartwarming and joyous.

I love the lists and details about mosques around the world at the end, and the successful portrayal of genuine love and connection Muslims feel to the mosque as a place of coming together, or worship, or friendship, of play, of charity, of community, and of openness.

Maryam’s Magic: The Story of Mathematician Maryam Mirzakhani by Megan Reid illustrated by Aaliya Jaleel

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Maryam’s Magic: The Story of Mathematician Maryam Mirzakhani by Megan Reid illustrated by Aaliya Jaleel

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This 40 page nonfiction biography is beautifully illustrated and informative.  I had never heard of Maryam Mirzakhani the Iranian born, first female winner of the Fields Medal.  Her life from loving stories and not liking math, to becoming a student and later a professor in the United States is remarkable and inspiring.  Second through fourth grade readers that both love and struggle with math will be drawn in to her unique way of looking at the world, and the math she found to serve as her magic wand in explaining it.  I don’t know if she identified as Muslim, while in Iran she was forced to cover, but when she left, she no longer did.  The illustrator is Muslim and religion aside, I am thrilled that a book like this exists, and that such a brilliant woman and her accomplishments can be presented to young readers.

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Maryam loves stories.  She reads them to her sister, her best friend Roya and her browse bookstores and dream themselves into plots of their favorite stories.  On the weekends she spreads long rolls of paper on the floor to draw and color her imaginary worlds.  She wanted to be an author when she grew up and knew how lucky her generation was to attend school after the war that tore her country apart.

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Math made her head spin, she would rather be doodling, but when she was 12 her teacher introduced her class to geometry.  It was different, the numbers held stories and the shapes were pictures. She made stories about the problems and wondered about them as if they were characters.

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In high school, Maryam and Roya entered the International Mathematical Olympiad.  The first year they received participation medals, but the next year, Maryam won the grand prize with a perfect score. She finished her schooling in Iran devoting her life to the stories that numbers told and left Iran to start graduate school at Harvard in the United States.

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When she had a hard time solving problems she would spread large rolls of paper on the floor and solve them.  Her daughter would tell people she was a painter.  She wanted to stretch the mind and how people went about solving equations.  She became a professor and a lecturer and one of her discoveries became known as “the magic wand theorem.”

In 2017 she passed away from breast cancer and the world lost a remarkable storyteller, mathematician and human.  The book concludes with an author’s note, important dates, and books to reference to learn more about Maryam Mirzakhani.

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‘Tis The Night Before Eid by Yasmin Rashidi illustrated by Mariam Aldacher

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On the surface this 32 page inspired re-imagining of the classic Christmas poem might not seem that impressive, but it is really quite effective in highlighting general key points of Ramadan, the mix of sadness that Ramadan has gone too quickly with the excitement of Eid, and showing the diversity of Muslim families and communities.  The large 8 x 10 hard bound pages showcase fun and relatable illustrations that would help inform those unfamiliar with the holiday, while also mirroring and encouraging Ramadan and Eid excitement.  It is already a favorite at our house and with simple rhyming lines, the book can lend itself easily to more in-depth discussions (there is a glossary at the back) or be kept as a sweet flowing story that you don’t mind reading repeatedly at the prodding of toddlers and preschoolers alike.

img_8997The story starts with it being the night before Eid.   Ramadan has flown by, iftar eaten, dishes are put away, trips to the masjid for Taraweh have concluded and now it is time to prepare for Eid.  The house is cleaned, clothes ironed, sweets prepared and dreams of gifts filling the kids minds.

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The narrative bounces back to Ramadan to explain that fasting is not eating til sundown for 30 days, that Quran was revealed during the blessed month and that we hold on to the lessons of Ramadan all year long.

 

I pre-ordered mine from the author’s website https://rashidibooks.com/home , but it is also available at Crescent Moon Store https://crescentmoonstore.com/products/twas-the-night-before-eid.  There are also printables on the author’s website.

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