Tag Archives: culture

Halal Hot Dogs by Susannah Aziz illustrated by Parwinder Singh

Standard
Halal Hot Dogs by Susannah Aziz illustrated by Parwinder Singh

hotdogs

I’m not sure what I expected this book to be, I just knew I wanted to get my hands on it, but I’m fairly certain, that even if I would have had some expectations, they would have been no where near how well done this 40 page book for four to eight year olds is overall.  It is unapologetically American-Palestinian Muslim in an inclusive funny delightful way, that only an OWN voice book can be. There have been some great picture books lately that are authentic, yet mainstream, and this book pushes that standard just a little bit higher as it normalizes jummah, halal food, dabke, hijab, with familiar threads of street food, spunky little sisters, untied shoelaces, tradition, and excitement.  The story has a twist and some intentionally misleading foreshadowing, that give the book depth and added fun.  Readers of all backgrounds will relate to this book and find something that they can relate to, as they laugh and marvel at Musa’s infectious enthusiasm for hot dogs. img_0610

Musa Ahmed Abdul Aziz Moustafa Abdel Salam, aka Musa, loves Fridays.  His family heads to the masjid for Jummah prayer and then home for a special Jummah treat.  Lately, they’ve had molokhia, that stayed in their teeth for a week, kufte kabobs that were better for soccer playing than eating, riz bi haleeb with lost dentures, and prelicked jelly beans.  Alhumdulillah, this week is Musa’s turn to pick, and he is picking his favorite: halal hot dogs with Salam sauce.

img_0611

They head to the mosque dancing dabke as they leave their house with smiling faces.  The khutbah is long though, and during salat his stomach is roaring! Afterward he is off, but Seedi has to help Maryam find her red shoes in a sea of red shoes and mama is chatting with friends. 

img_0612

Dad gives in and lets Musa go get the hot dogs alone.  As he heads to the stall with the best hotdogs: the perfect amount of hot, chewy, juicy hot dog goodness, he passes all sorts of foods being eaten.  There is falafel and bao and tacos and samosas and churros, but he is determined to get hot dogs, even though the line is really long.

img_0613

He sees friends in line, and firefighters, and even his school principal.  Everyone loves hot dogs, even birds and squirrels.  Finally he buys a whole bag full with special Salam sauce and races home to share with everyone.  But uh oh, it doesn’t go as planned, and I’m not about to spoil it, so get yourself a copy like I did from http://www.crescentmoonstore.com or your library, and maybe don’t read it while you are fasting, because you will be craving hot dogs, mmmmmm nom nom nom.

img_0614

There is an Author’s Note at the end that details her kids’ influence on the story and explains that a portion of the proceeds go to UNRWA USA, a non profit that helps Palestinian refugees.  There is a glossary of Arabic Words and Terms, and a section explaining Halal Laws.

img_0615

The book shows the mom in hijab outside the home, and uncovered within the home.  There are diverse skin colors among the Muslim and non Muslim characters in the book, as well as a variety of ages depicted.  Seedi wears a keffiyah on Jummah, but different clothes on different days.  The illustrations are wonderful and descriptive and do a lot to compliment the story by setting a relatable and diverse-positive visual.

img_0616

Brave with Beauty: A Story of Afghanistan by Maxine Rose Schur illustrated by Patricia Grush, Robin Dewitt, and Golsa Yaghoobi

Standard
Brave with Beauty: A Story of Afghanistan by Maxine Rose Schur illustrated by Patricia Grush, Robin Dewitt, and Golsa Yaghoobi

brave

This 44 page fictionalized retelling of Queen Goharshad, a 15th century monarch of the Timurid dynasty in Afghanistan should really be a larger book than 8 x 8 to appreciate the artwork that is detailed and stunning.  The story of Goharshad, wife of Emperor Shah Rukh, and her influence on art, music, culture, higher education, and architecture, is one that we should be more familiar with, but the actual text and manner in which the story is conveyed isn’t consistent for me and I wanted more details about the society she stepped in to to rule,  I know it is fiction, and meant for 2nd to 4th graders, but I would like to think that readers will want to know what obstacles she had and what support she enjoyed and from where.  That they will question if it was a rich kingdom that she could pay musicians to play everywhere, and wonder if families sent their daughters to the University she built, ask why it wasn’t for women to design a  Masjid, and what was the name of the smaller mosque that bore an older woman’s name? The book at times overly summarizes and at other times is haltingly detailed.  It is a good read to reflect a strong woman and her influence on her land, but unless assigned, I don’t know that seven to ten year olds will pick up the book and be inspired by it enough to change their perception of the Afghanistan that they may see on the news.

img_0171

Seven centuries ago Goharshad loved beautiful things such as painting and the texts of Rumi.  Her brothers played at being like Genghis Khan and teased her for not being brave.  She vowed to be brave with beauty even though she didn’t know what that even meant.  At age 14 she was given in marriage to the king, Shah Rukh, in Herat.  She ruled with her husband and had resources and time to spread her beauty by speaking up and being brave.

img_0172

Her first act of beauty was by filling the kingdom with music.  She wanted music every day in the court and beyond. Music that was playful and pious, music that painted pictures in the listeners minds and brought joy like the laughter of God.  She next sketched and designed a beautiful and enchanting garden to be built.  It doesn’t say where it was, but that people came from all around to enjoy it.

img_0173

Feeling braver she turned her sights on building a mosque in the western city of Mashhad.  She designed it and called the court architect, Qavam al-Din Shirazi to discuss.  He doubted if it was right for a woman to design such spaces, but she assured him that she had the talent for it, so construction began.  An elderly woman refused to sell her cottage for the new project unless a mosque with her name was built.  The advisors wanted the old woman put to death or imprisoned, Goharshad disagreed appreciating the woman’s strength and instead agreed.  The big mosque was built with Goharshad’s name and a smaller one on the property with the old lady’s.

img_0175

With such an accomplishment complete, the Queen again summoned the architect and expressed her desire to build a great center for learning.  A college for girls, a grand mosque for prayer, and a vast library.  She wanted the structure decorated with paint from precious stones and sold her crown to finance the project.

img_0174

After her husband died Goharshad reigned, but sadly after she died, much of her accomplishments died as well.  Over time, harsh weather and war, nearly all her buildings disappeared and those that remain, do so in ruin.  The book ends with hope that memories of her will endure, A guide to some of the words in the story,  an Author’s note, and a Guide for Parents and Educators.

img_0176

There is not a lot of Islam in the story, just the building of masajid .  Some may take issue with her stress and celebration of music, and likening it to God laughing, but if you look at it as her story, it should be able to be appreciated even if you disagree.

img_0177

An Emotion of Great Delight by Tahereh Mafi

Standard
An Emotion of Great Delight by Tahereh Mafi

emotion

This 256 page YA OWN voice book is a real and raw look at a character and the many layers of life weighing down on her.  At the center of it all is a strong Muslim teen dealing with post 9/11 bigotry, the shattering of her family, toxic friendships, and a broken heart.  It is a love story, but it is so much more, as the protagonist’s voice draws you in to her crumbling world from the very first page and has you begging for more when the last page is read.  So often in Muslim-lead-mainstream-romance-themed novels, I want there to be introspection at the choices that the character is making and the internal processing of navigating their wants with their beliefs, and this book surprisingly does it.  There are some kissing scenes, cigarette smoking, cosmo magazine headlines, and waiting for her father to die, but not without introspection. Shadi reflects on her smoking quite often, she questions the repercussions of her actions, and she analyzes her father’s faith and approach to Islam as she forges her own relationship with the deen.  There is mention of a Muslim character drinking, doing drugs, hooking up, and it mentions he had condoms in his car, just those exact phrases, nothing is detailed or glorified, just stated.  There are also threads of mental health, self harm, death, and grief.  The characters are genuinely Muslim and some of their experiences are universal, and some specific to the faith, culture, and time.  Muslims and non Muslims will enjoy the book, and I would imagine relate to different things, but find it overall memorable and lingering.  For my Islamic school teens, I’d suggest this book for 17/18 year olds to early twenties.  It isn’t that they haven’t read more graphic books, but to be honest, Shadi has a lot going on, and if being close to Ali can lighten her load and help her find hope and joy, I’m all for it.  I know it is “haram,” but it is fiction, and it will have readers rooting for them to be together, not a message you may want to pass on to your younger teens.  As the author says in her forward, “we, too, contain multitudes.”

SYNOPSIS:

The layout of the book bounces between December 2003 and the year before.  In a previous time, Shadi’s life was easier, her brother was alive, she had a best friend, her Iranian immigrant Muslim family may have had stresses and issues, but they were a family. In 2003, Shadi is largely forgotten by her parents, her brother is dead, her father is close to death, her mother is self harming, her older sister preoccupied, and as a high school student Shadi is both falling and being crushed by her heavy backpack both metaphorically and literally.

The story opens with Shadi being approached by a police officer wondering why she is laying in the sun, he thinks she is praying, and she doesn’t have the energy to be angry by this assumption, she is exhausted, and doesn’t want to cause any waves that might get back to her fragile mother and cause any more stress than necessary.  So she drags herself up, and begins the walk to her college level math class miles away.  The sun is short lived and the rain begins to pour, she knows no one will come to pick her up.  Her parents have long ago stop being present in her life.  She once had a best friend, but that relationship, as toxic as it was, also has ceased to exist.  So she walks, and she is drenched, and she falls, so she is now soaking wet and bloody.  A car slows down to presumably offer her a ride, but then he speeds off drenching her in a tidal-wave.  The scene is set for the tone of the book. Shadi is drowning, we don’t know all the reasons why, they unfold slowly, but we know that it is going to get worse, her phone is nearly dead and her sister has just called to let Shadi know her mother is in the hospital.

I don’t want to detail my summary as I often do, because the way the story unfolds, would really make any additional information given act as a spoiler.  The book is short and a fast read, but along the way the introspection to the chaos that is Shadi’s life, makes it impossible to put the book down.  Shadi will have to confront her crumbling life and find away to reach toward hope.  She will have to keep walking to avoid drowning and along the way cling to the few precious things that give her joy: an emotion of great delight.

WHY I LIKE IT:

I really enjoyed this book.  I loved the Islam and real approach to her volunteering at the mosque and calling out racism within the community and diving deep in to understanding is Islam more than just rules and toeing the line.  It was a great mirror for so many nuances in real life, that I will probably re-read the book again in the near future, to enjoy it all.  I absolutely love the unpacking of the toxic friendship.  When women tear each other down under the guise of caring it is brutal, and the acceptance and growth that Shadi is struggling with in regards to her best friend of six years, Zahra. who is also Ali’s sister, is a reminder that sometimes walking away is the only choice.  

The two criticisms I have of the book are: one-that the book is too short, I wanted, no, I needed more.  And two I didn’t understand why Ali’s family and Shadi’s family were no longer close.  I get that Shadi cut Ali out of her life and Zahra and Shadi had a break, but Ali/Zahra’s family still care for Shadi and she for them, so what happened between the parents? It seems that the death of a child would draw the friends out and make them protective, not push them to being aloof.  It seemed off to me and major plot hole.

FLAGS:

As I mentioned above: kissing, smoking, drugs, hooking up, referencing condoms, cosmo headlines, self harming, grief, death, alcohol.

TOOLS FOR LEADING THE DISCUSSION:

I don’t think even high school could do this as a book club selection, because you really want to ship Shadi and Ali.  If you had like an MSA book club then I think this would be a great choice.  I would love to hear teens’/young adults’ thoughts about Shadi’s view of religion, her fathers approach, and how they view passing the deen on to their children.  I think it offer great role-play scenarios in empathy and how you’d react in real life to finding your mother struggling, your best friend taking off her hijab and being so jealous of you, the bullying, the assumptions, understanding your father and where to assign the blame for such a traumatic event that claimed your brother’s life.  There is so much to discuss, and I hope at some point I find the right forum to chat about this book and listen to other’s perspectives about it.

Rumaysa: A Fairytale by Radiya Hafiza illustrated by Rhaida El Touny

Standard
Rumaysa: A Fairytale by Radiya Hafiza illustrated by Rhaida El Touny

rumaysa

This middle grades retelling of the classic fairytales: Rapunzel, Cinderella, and Sleeping Beauty, replaces white characters with diverse Desi characters, reclaims female characters’ empowerment, and weaves the stories together with Rumaysa first freeing herself, and then using a magic necklace that takes her to those in need  (Cinderayla and Sleeping Sara) in her quest to find her long lost parents.  After a few chapters, I started writing a list of gaping-huge-ginormous plot holes, they are frequent and laughable, then I took a deep breath and recalled the similar eye-rolling inconsistencies that plague perhaps all fairy tales, but specifically Disney-esque ones. Once I let go of trying to understand why Rumaysa is wearing hijab while locked in an isolated tower, or how the witch can’t remember her name, but Rumaysa knows the name her parents gave her when she was kidnapped on the day of her birth, or that she knows she was kidnapped and her whole backstory, just to name a few, the book was much more enjoyable.  I still have major issues with some of the forced Islamization and cultural tweaks, but not because they existed, but rather because they weren’t strong enough.  Why have an Eid ball for all the fair maidens in the land.  It was awkward to read all the young people showing up to pair off, and then people asking the prince to dance, and him saying he didn’t know if he could.  Why not just make it an over the top Desi wedding with families, where dancing and moms working to pair their kids off is the norm. Having it be a ball for the maidens in the land, just seemed like it was afraid to commit to the premise of twisting the fairytales completely.  There are a few inconsistencies, however, that I cannot overlook.  This is a mainstream published books and there is at least one spelling error and grammar mistake.  I could be wrong, as it is British, and I am by no means competent in even American English, but I expect better.  Even content wise, Prince Harun for example, is wearing a mask, but the text comments on his blushing cheeks, eyes, eyelashes, and smile, not a typical mask perhaps? And don’t get me started on the  illustrations, the same awkward ball has Ayla leaving, and in the picture not wearing a mask concealing her face as the text states.  Overall, the inside illustrations are not well done.  The cover, by artist Areeba Siddique is beautiful with the shimmery leafing on the edges, that would have brought the inside pages a lot more depth and intrigue than the ones it contains.  Despite all the aforementioned glimpses of my critiques to follow, I didn’t hate the book and quite enjoyed the light handed morals and feminism that was interwoven with clever remarks and snark. The first story has Rumaysa wearing hijab, finding a book about salat and praying.  The second story takes place on Eid and Ayla eats samosas, discusses Layla and Majnun, and has a duputta. The third story I don’t recall any culture or religious tidbits other than keeping with the consistency of cultural names.  There is mention of romance between an owl who has a crush on a Raven, but the heroines themselves are learning to be self sufficient from errors of their parents/guardians and are not looking for any males to save them.  Other than that the book really needs an editor and new illustrations, I can see fairytale loving middle grade kids reading the book and finding it enjoyable, or even younger children having it read aloud to them a few chapters at a time, and being drawn in to the stories and eager to see what happens next. It would work for that demographic, but perhaps no one else.

img_0394

SYNOPSIS: (spoilers)

Rumaysa’s parents steal vegetables from a magical garden when there is no food or work to be found, as a result when Rumaysa is born, the owner of the garden, an evil witch, takes Rumaysa and places her in a tower protected by an enchanted forest and a poisonous river.  No one can get in, and Rumaysa cannot get out.  In the tower Rumaysa reads, no idea how she learned, and spins straw in to gold as she sings a song that channels the magic she consumed in utero from the stolen garden.  With only rations of oats to eat, a friendly owl named Zabina frequents Rumays daily and brings her berries and news .  When he brings her a new hijab, Rumaysa has the idea to lengthen the hijab with bits of gold over time, so that she might escape.  When she finally gets her chance, she is met by a boy on a magic carpet named Suleiman, and is both shocked and annoyed that someone got close to the tower, and only after she saved herself.  The two however, and Zabina, are caught by the witch and must escape her as well.  When that is all said and done, Suleiman gives Zabina a necklace that takes one to someone in need of help.  His parents want him to save a princess, he wants to study in his room, so he hands off the necklace hoping it will help Rumaysa find her parents, and he heads off on his flying carpet.

The necklace doesn’t transport Rumaysa to her parents, however, it takes her to a street where a girl is throwing rocks in desperation having been denied attending an Eid ball after her dress was torn to shreds.  The story starts with Ayla’s back story before Rumaysa arrives, but the two girls befriend each other, Rumaysa uses her magic gold weaving abilities to conjure up a new and beautiful dress and golden shoes and the girls head to the ball.  When Ayla heads off to get samosas she meets the prince, but doesn’t know he is the prince.  They argue about the play Layla and Majnun and when her stepmother asks about the dress, Rumaysa and Ayla make a run for it.  A shoe is lost, the stepmother comes to know, the guards search for the missing girl, and all is well.  Except Harun is incredibly shallow and superficial and only interested in Ayla’s clothes and status, so she rejects him and points out that she is much too young for marriage.  She instead reclaims her home, fixes her relationship with her stepsisters and begs Rumaysa to stay.  Rumaysa makes her excuses and is whisked away to a land that is being ruled by a man and his dragons.

Originally the land of Farisia is ruled by King Emad and Queen Shiva, but they have become unjust and disconnected from their people.  When Azra gets a chance to steal Princess Sara and take the kingdom, he does.  Rumaysa arrives to free a sleeping Sara from the dragon and restore apologetic and reformed leaders to the thrown.

img_0397

WHY I LIKE IT:

I do like the spinning of familiar stories and either updating them, or twisting them, or fracturing them, so I am glad to see an Islamic cultural tinge available.  I feel like the first story was the strongest conceptually even if the details and morals weren’t well established.  The second story was strong in the messaging that Ayla, and any girl, is more than just a pretty dress, but the premise was a little shaky and not that different from the original.  The third story was a little lacking developmentally for me and all three I felt could have gone stronger in to the religion and culture without alienating readers or becoming heavy.  There are characters illustrated in hijab, some in saris, some in flowing robes. Princess Sara is noted to be a larger body type and I appreciated that in elevating the heroines, other’s weren’t put down.  Even within the book, there is diversity which is wonderful.  

img_0398

FLAGS:

There is lying and stealing with consequences.  “Shut up” is said.  There is magic, death, destruction, and a brief mention of an avian crush.

img_0395

TOOLS FOR LEADING THE DISCUSSION:

I could see this being used in a classroom for a writing assignment to urge students to write their own tales.  I think it is fourth or fifth grade that children read fairytales from different points of view: think the three little pigs from the wolf’s perspective or the Stinky Cheese Man and Other Fairly Stupid Tales, and this book would lend itself easily to that lesson as well.

Sadiq Wants to Stitch by Mamta Nainy illustrated by Niloufer Wadia

Standard
Sadiq Wants to Stitch by Mamta Nainy illustrated by Niloufer Wadia

img_9844

This 40 page AR 4.5 book touches on gender norms and breaking cultural expectations, as well as a mother’s love and a child’s determination.  The beautifully illustrated pages show Kashmir’s landscapes and culture.  The message is for third graders and up with its longer passages and understanding of gender roles, but younger children will enjoy the story just as well.  My only concern is the timeline of the story, the mother has a week to make two embroidered rugs and worries when she awakens with a fever on the day the rugs are expected, exclaiming that she hasn’t even started the second rug.  How was she going to meet the deadline even if she wasn’t ill? Even with the extension, she asks for a few days, not a few hours.  That aside, the book is a lovely glimpse into a nomadic culture and people.  There is no glossary at the end explaining namaz or Chacha or Bhai, but there is a bit of information about the Bakarwals of Kashmir at the end that provides context and enhances appreciation.

img_9845

Sadiq wakes up to the sounds of the river Lidder, he prays and drinks his cha and heads to the meadow to milk the sheep and take them out to pasture.  His father died two years ago, and now the responsibility of the flock is his. After his chores are done he sits and watches his mother embroider.  He sometimes stitches his own patterns on the edges, but his mother does not like him sewing.

img_9846

When an order from the city comes in for two rugs by the end of the week, Sadiq offers to help.  His mother refuses his assistances claiming that the women stitch and the men tend to the sheep in their community. Sadiq dreams of the designs and colors he would like to sew and decides he will do so in secret.

img_9848

On the day when the rugs are to be picked up, Sadiq’s mother has a fever and cannot stitch.  When the man comes, Sadiq’s mother starts to explain that they are not ready, but Sadiq surprises them both with his completed rug.  The man likes it, but notes it is not what was ordered. Ammi wants to keep Sadiq’s rug and asks for a few more days to complete the second one, now that she has her son to help her.

img_9847

Abdul agrees to a few more days, and the next morning Sadiq’s mom has hung Sadiq’s rug for everyone to see, and is proudly crediting her son’s work.  She hugs him, just like she did in his dream, and chides him that she still expects him to do all his other chores before he sews.

img_9849

Zara’s New Eid Dress by Nafisah Abdul-Rahim

Standard
Zara’s New Eid Dress by Nafisah Abdul-Rahim

img_8802

The search is on for an eid dress that reflects Zara’s African American Muslim culture.  This much needed representation highlights more of looking for a dress and the process of having one made, than providing information about Eid or the African American Muslim experience over its 30 pages.  Iftar is mentioned on one page in parentheses, so if you omit that word it could reflect either Eid preparation.  The book is cute if you are looking for a slice of life and coming together of a child, mother, and grandmother over the creation of a dress that has what Zara is wanting: pink, fluffy and containing flowers.  It falls short if you are looking for a book to learn about Eid, Ramadan, what a cultural African American Muslim dress would look like, or a peek into an under represented culture.  The illustrations are sufficient.  I felt the girl looked younger in some of the depictions, and I was surprised that the girl’s rain boots and clothes were worn over multiple days in her search for a dress, picking out fabric and inside her house when the dress is completed.  Similarly, on Eid day while her dress is stunning and fabulous, her friends are wearing the same eid clothes they wore at the start of the book from years past.

img_8804

Zara has worn a salwar kameez from Pakistan with her friend Sana, an abaya like her friend Noura one year too, but this Eid, she wants a dress that shows “her own style, her heritage, a reflection of her culture as an African American Muslim.  As her mom is preparing iftar she asks when they can start shopping for her Eid dress.  She knows it won’t be easy to find and convinces her mother to start looking this weekend.

img_8805

She pulls on her rainboots as they head out the door to find “something bright, pink, fluffy, and has flowers on it.” They go to several stores and kind find anything just right.  Her mom suggests asking Nana to make it.  Zara’s mom recalls the fabulous dresses her mom used to make her to wear on Eid.

img_8806

Nana and Zara head out to the fabric store the next morning. First they find the pattern, then they find the fabric.  After a few days of hard work for Nana, the dress is complete.

img_8808

On Eid day, Zara meets up with her friends in her dress that is uniquely her own.

img_8812

Ahmed Aziz’s Epic Year by Nina Hamza

Standard
Ahmed Aziz’s Epic Year by Nina Hamza

img_7992

There is such a shortage of male Muslim protagonist middle grades books that I have been waiting quite impatiently to get my hands on this one, and alhumdulillah, it didn’t disappoint.  I’m not sure if it qualifies as OWN voice, being it has a female author, but the authenticity in the little religious and cultural details would suggest that it should.  The 320 page book is meant for ages 8-12, but the weight of Aziz’s father’s illness, the plot pivoting around three classic books (Holes, Bridge to Terabithia, and From the Mixed-Up Files of Mrs. Basil E. Frankweiler), and the clever reflections of Ahmed along with his quick wit and thoughtful choices, might make the book’s sweet spot be 5th to 7th grade readers (as well as us moms who are suckers for elementary literary references, teachers who are heroes, and kids realizing their potential).  The book has a bully, but is clean and wonderful, and I thoroughly enjoyed it.

SYNOPSIS:

Twelve-year-old Ahmed is leaving the only home he has known in Hawaii to move to Minnesota.  His dad has Cirrhosis, a result from a rare genotype of hepatitis C, and Minnesota is one of the top options for treatment.  The family is nervous to move in general, but more so to move to Minnesota.  It is where Ahmed’s dad Bilal grew up, and where his dad’s younger brother passed away at age 12. Ahmed’s younger sister, Sara, is perhaps the only one excited for the new adventure.

The family arrives and is greeted by Bilal’s old friends, and when school starts he realizes one of his dad’s best friends, is his English teacher, and somewhat of a legend at the school in getting kids to try and beat her at an end of the year quiz show like competition.  The school is also where Bilal and his brother Muhammed went to school and a picture of Muhammed hangs right above Ahmed’s locker.  The biggest stress at school is Jack. Jack who lives a few houses over, Jack who rides the same bus, Jack who is in Ahmed’s English group, and Jack who has a lot of followers at school.  Jack is a bully.  One who makes Ahmed’s life miserable at every turn, not just socially, but even the police.

Ahmed is a laid back kid that doesn’t like to read, but loves words, who wants to blend in yet is the only brown kid in a sea of white, who enjoys attending  Jummah salat, but ultimately hates going because of the shoe chaos afterwards.  Ahmed has no intention to read the books assigned in class, but some how the three classic books assigned do get read, and  Holes, Bridge to Terabithia, and From the Mixed-Up Files of Mrs. Basil E. Frankweiler tie together and weave in and out of Ahmed’s epic year.

I don’t want to spoil much, but Ahmed’s dad is in the hospital a lot, there is a lot of plotting to survive being bullied, as well as getting revenge on the bully in Ahmed’s own way without involving parents.  Ahmed slowly grows to love Minnesota, his small circle of friends, and his school while learning about his uncle and the kind of person he wants to be as he grows up.

WHY I LIKE IT:

Ahmed is Muslim and while his mom prays five times a day and his dad is an occasional prayer it doesn’t specify how often Ahmed prays or how he feels about religion, other than going for Jummah.  At first Ahmed thinks he is being bullied by Jack because he is brown, his mom is an immigrant from India, his father the son of immigrants from India, but learns that Jack picks on anyone new.  I like that for as much as Ahmed hates stereotypes and assumptions, he acknowledges that he makes them too.  I like that Ahmed doesn’t like to read, but is smart, and eventually comes around to reading.  He is tech smart and very mature in how he views the world and himself in it, cares for his sister and parents, handles things on his own, and builds others up.  Ahmed is a good kid, not in that he doesn’t make errors or is a teacher’s pet, but in that he has a really good heart and a good head, and I think would make anyone better for knowing him.  I love that the book is smart too.  If you have read the three books mentioned you will love the discussions and questions about the books, if you haven’t read them, you will be tempted to after you finish this book.  I wish there was a tad more religion, there is a sprinkling of culture, primarily the mom’s tragic cooking, but a bit more religion in a book that has illness and death would seem natural to me.  The storytelling is superb, I was so curious where the father’s parents were, but alas it did answer that, I would have liked it sooner, but I was glad it made it in none-the-less.  I would have liked a bit more from the parents about why they wanted Ahmed at his dad’s old school, or how they were comfortable constantly leaving the two kids home alone at night, but Ahmed like I said is pretty mature.  I particularly love the brother sister relationship.  Ahmed is a good older brother and it reminded me in some ways of my older brother, which made my heart warm, good siblings are a blessing.

There are multiple climaxes, but while I expected the dad’s health to be a big one and Jack getting what was due to be a close second along with the outcome of the literary contest, I was not prepared for the level of Jack’s torture to climb to, and was pleasantly surprised by the unresolved thread of Jack and Ahmed’s future relationship.  Things in life don’t magically resolve and I love when middle grade novels keep that in mind.

FLAGS:

None

TOOLS FOR LEADING THE DISCUSSION:

I would absolutely do this in a heartbeat for a middle school book club selection.  Even if the book is more middle grades, I think the students will enjoy it and be surprised by the emotional investment the dad character extracts.  I think they will also benefit from the literary references, relatable characters, and the overall great storytelling.

Counting Down with You by Tashie Bhuiyan

Standard
Counting Down with You by Tashie Bhuiyan

img_7940

I have to be honest that this book really held my attention and was hard to put down for about two-thirds of the 416 pages.  I was genuinely invested in the characters and wanted to see how it all resolved.  Sadly, by the end, I was disappointed with the conclusion, the predictability, the stereotypes, and the cliche’ of it all.  The author mentions in the forward that she is representing her story, not a representation of all Bangladeshi- Muslim American girls, but for an OWN voice book with such a clever premise, I really wanted to be shown more than I was told, I wanted to feel the protagonists strength, and cheer her on as she found her happiness on her terms.  But alas I felt that she let other’s fight her battles and she really only threw her religion and culture around as weighted plot oppressors, not as strands of her life that she had to decide to embrace or understand in the process of growing into herself.  There was a lot of potential to discuss mental health and family expectation, but the end unraveled all that the book could have been.  Undoubtedly the author is a good writer, and brown Muslims are not a monolith, but I feel like sometimes we need to square away who we are before we just clamor for what we want.  This book has relationships, it is a romance novel afterall, but whether the characters are straight or LGBTQ+, there isn’t more than kissing and hand holding and would probably be fine for 9th grade and up if you are ok with a Muslim lead lying to her parents and having a boyfriend.

SYNOPSIS:

Karina Ahmed is 16 and expected to be a doctor when she grows up.  Her conservative Muslim parents are immigrants from Bangladesh and very over protective of their oldest child.  Samir her younger brother, a freshman, is a robotics nerd and the pride of their family.  Karina loves English and wants nothing more to major in English in college, but her parents are insistent and despite her struggles with math and science she is determined she has no choice in the matter and must make them proud by being a doctor.  This inability to be what her parents want has caused tremendous anxiety within Karina and when her parents leave for a vacation to Bangladesh for a month, she is hoping to be able to relax and enjoy life for 28 days with her Dadu, paternal grandma, and her friends, Cora and Nandini.

The only extracurricular activities Karina is allowed are Pre-Med Society and tutoring, where she helps others with English.  Her teacher asks her to tutor a classmate one on one to prepare for the end of the year exams, and reluctantly she agrees.  Very reluctantly.  The classmate is brooding resident bad boy Ace Clyde, a beautiful slacker that seems to not care about much.  In Karina’s efforts to get Ace to study and taking advantage of limited parental supervision, Karina goes with Ace to a sweetshop and even ends up at his house where she meets his family.  Ace is not ready to admit to his incredibly wealthy family that he is seeking help from a tutor and instead introduces Karina as his girlfriend.  Ace’s older brother Xander, the Student Body Class President, isn’t buying it, so Ace announces it on social media and shows up the next day with coffee for Karina as he walks her to class determined to convince everyone that they are indeed a couple. Karina is not ok with this, but he does promise her a dozen books a week and he is aware that the “relationship” can only last 28 days, so she is in.   Karina’s friends predict that they will fall hopelessly in love and they are pretty correct.  Over the course of the next three and half weeks the two grow closer, he even comes over and spends time with Dadu and Samir.  She encourages him to fix his relationship with his family, and he encourages her to fix hers.  And somewhere in the midst of pretending they decide to make it real and then Karina’s parents return.  She at this point has been cheered on to stand her ground on confronting them about not wanting to be a doctor by Ace, Cora, Nandini, Dadu and Samir.  The conversation does not go well and Karina goes into a two week slump pushing everyone out before she *spoiler alert* resolves to date Ace in secret as long as he respects her lines, and Dadu stands up to her parents for her.  The story concludes with her going to Jr. Prom and her resolved to just stay strong for a little while longer until she is “free.”

WHY I LIKE IT:

I like that I really didn’t know if the book would turn cliche until it ultimately did.  I really liked the realness and rawness of Karina coping with her anxiety and her friends supporting her in Googling coping mechanisms and helping her test them out.  I feel like it was a missed opportunity for Karina’s parents to not reach out to her, or for Karina to even mention that they were missing it.  I think readers that see themselves in Karina would have hoped to see that story thread play out and give them hope of getting help and support or at least getting it out in the open to normalize it.  I love the growth of Samir once Karina make him aware of the double standard, but I feel like he doesn’t read with a consistent persona.  He has a job, he has friends, he likes a girl, but he reads like he is clueless and maybe 10 years old at best, not in high school.  A bit off for me.  And of course you have to love Dadu, a wise old woman who supports her grandchildren and sticks up for them.  I wish Karina would have taken her cues from her beloved grandmother and stood up to her parents with Dadu in the room rather than let Dadu fight the fight and just stand there.  I thought the big climax would be Karina standing up to her parents, so I felt let down when she let someone else fight her fight.  Yes Karina tried and failed, but I think her grandmother should have backed her up in round two, not taken over.

Karina throughout says she is Bangladeshi-Muslim and uses it as a reason to fear her parents and feel obligated to not date or study English.  She does say she isn’t against religion, and actually likes being a Muslim and praying and knows Allah loves her, but that it is the tradition that blindly is followed that gives her trouble.  Her maternal grandfather is an Imam and her mom is much stricter than her father, but he follows her lead in raising the kids.  My critique isn’t so much to argue with the author’s perspective about religious standards, but more a literary one, when the character says she is Muslim and uses that to reason why she has lines, but yet is never seen praying or wresting with what she wants and what she believes.  Never asking Allah for help with her anxiety or confronting her parents or anything for that matter.  As soon as her parents leave she is in a crop top, so where is the religious line and where is the cultural one?  Where is her understanding of her culture and where it fits in her life and where she wants it to fit in her future? Is she Muslim because her parents are or because she believes it? She won’t eat ham, and eats halal, but later eats meat at Ace’s house? Everyone, even fictional characters, get agency, but in a book where the premise is a fake relationship turned real turned rebellious because of religion and culture, a little introspection seems warranted.

The conclusion after hundreds of pages of being called lionhearted and brave and strong seemed diminished when going to prom and lying to parents and having grandma fight your battle is the happy ending.

FLAGS:

Relationships: The main couple hold hands and kiss. There is a supporting character that is bisexual as is a cousin, one is gay, they hold hands and kiss as well. Nothing more than that or detailed. There is lying and deception.

TOOLS FOR LEADING THE DISCUSSION:

I don’t think I would do this as an Islamic School book club selection because it would imply agreement with lying and going behind your parents backs.  Granted her parents are difficult and her grandma is aware and ok with the situation, but I still think it would send the wrong message to endorse such behavior from a religious school perspective.

Amazing Women of the Middle East: 25 Stories from Ancient Times to Present Day by Wafa’ Tarnowska

Standard
Amazing Women of the Middle East: 25 Stories from Ancient Times to Present Day by Wafa’ Tarnowska

img_7464A nonfiction picture book for teens that features amazing women from ancient times to the present day.  Many of the women featured are Muslim and each entry receives a teasing summation page with a full page portrait from one of five international artists before a two page, more in-depth biography is presented.  The 112 pages feature an introduction, and a map to start the book off, and acknowledgements and a glossary at the end.  There are large time gaps that I wish would have been commented on, the geographical pool includes India which surprised me, and in one of the entries the way hijab is discussed seemed judgmental to me, but other than that the stories are absolutely remarkable.  There are amazing women in every culture and throughout all time periods, but to see one that highlights a region that is stereotypically oppressive to women is a sight for sore eyes.  I learned so much and marveled at the intellect, bravery and determination shown from being rulers of empires to intellectuals to scientists and artists everything in between.

The book starts with Nefertiti born in 1370 BCE and concludes with Zahra Lari, a hijab wearing ice skater from the United Arab Emirates born in 1995.  There are “celebrities” such as Amal Clooney, Fairuz, Cleopatra, Sheherazade and many that might not be as well known.

I particularly enjoyed learning about Zenobia the 3rd century warrior queen who conquered a third of the Roman empire in just five years.  Sufi mystic and poet Rabi’a al Adawiyya and her devotion to Allah swt.  Eqyptian Shajarat al-Durr who was nicknamed Queen of the Muslims in the 13th century.  And Hurrem Sultan from the Ottoman Empire.

Not every one featured was a ruler or married to one, and not are so far in the past, which in many ways gives the collection it’s charm.  Somayya Jabarti was the first female editor-in-chief in Saudi Arabia in 2014 and  Maha al Balushi is the first Omani woman to fly professionally for her country’s airline in 2010, examples of two women presented that cracked the glass ceiling by following their own dreams.

It is great to learn about the strength of the women from the past and see how to add to the legacy.  The book is a great reference, as well as a source of inspiration for people of all backgrounds to enjoy and appreciate.  I found the book at my local public library in the YA/Teen nonfiction women section.

Baba, What Does My Name Mean? A Journey to Palestine by Rifk Ebeid illustrated by Lamaa Jawhari

Standard
Baba, What Does My Name Mean? A Journey to Palestine by Rifk Ebeid illustrated by Lamaa Jawhari

img_7233

This lyrical journey through Palestine’s major cities, shares historical facts, geographical information, cultural richness, and love for a homeland that will inspire and educate all readers. There is a lot of information pressed in to 32 pages and at times the rhyming text, illustrations, and maps are powerful, and at other times overwhelming. The 8.5 x 11 horizontal paperback bound book needs to be bigger to hold all that the pages contain, and hard back to hold up to the details that need to be poured over to be appreciated. The content about the names and places in Palestine is priceless and well done, but I really wanted to love the book a bit more than I ended up feeling for it. I think trying to make it all rhyme was just a bit too much for my liking, but I would buy this book again in a heartbeat to share with my children. Even though we are not Palestinian, I think all Muslims have a piece of Palestine in our hearts and feel a deep need to celebrate the culture, fight for their freedom, and demand a quality of life that they are brutally being denied by their oppressors.

img_7234

The book starts out at bedtime with a little girl, Saamideh asking her baba what her name means. He explains to her that it means “one who is patient, persistent and one who perseveres.” She is named this because she is Palestinian, he explains and then he shows her the key to their ancestral home in Palestine. He asks her to close her eyes and imagine a white dove, named Salam, taking her on tonight’s journey.

img_7235

Salam and Samamidah prepare to journey across Palestine’s mountains, hills, deserts, and plains. They start in Areeha, one of the oldest cities in the world, and one one of the lowest points on Earth.

img_7236

They journey next to Al-Quds, the capital. They see the old city, Al-Aqsa, and more, before heading off to Nablus, Yafa, Haifa and the Akka. Learning about the cities, the food, and the history of each.

They learn about the dabkah, and the weaving in Gaza and head to Bait Lahem too. They learn about glass blowing in Al-Khalil at the Ibrabhimi Mosque, and finally they conclude their journey with the little girl dreaming of flying around the world to use her key and open people’s hearts and minds.

img_7239

She proudly exclaims her love of Palestine and her and her baba pray that one day they will be able to return. Saamidah then asks her baba why they are refugees, and he promises to save that conversation for tomorrow’s beditme story.

img_7240

The book concludes with a list of the city names in Arabic, trasliterated in English, and then the English names. It then has discussion questions at the end.

The book is not outwardly political, nor critical. It is a celebration of a people, a culture, and land. Happy Reading!