Tag Archives: diversity

Museum Mysteries by Steve Brezenoff illustrated by Lisa K. Weber

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Museum Mysteries by Steve Brezenoff illustrated by Lisa K. Weber

I’m going to review two of the eight books in the Museum Mysteries Series that have Amal on the cover:  The Case of the Missing Museum Archives and The Case of the Stolen Space Suit.  The series focuses on four characters of diverse backgrounds who have a parent that works in one of four Capital City museums.  Amal Farah is Somali American and her dad works at the Museum of Air and Space, Raining Sam is Native American and loves the American History Museum his mom works at, Clementine Wim’s mom works at the Art Museum, and Wilson Kipper’s favorite is the Museum of Natural History.  The kids solve mysteries and introduce the readers to real facts and tidbits of real information.  The AR level is 4.0 and 4.1 respectively, but I feel like they really are on a 2nd-4th grade level.  When a child is done with Ron Roy (A-Z Mysteries & Capital Mysteries) and Magic Treehouse, they are ready for these.  Much like those series, readers are similarly introduced to new vocabulary, but not overwhelmed with back story, detail, explanation, or much character development.

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SYNOPSIS:

In The Case of the Missing Archives, (the second in the Museum Mysteries Series), eleven-year-old Amal and her friends have to figure out who stole the plans for the German “Bat Wing” Plane, and fast.  If they don’t Amal’s father, Dr. Ahmed Farah, a museum archivist, is going to lose his job.  Luckily in 117 pages the kids suspect and rule out a “friend,” identify a mystery subject, and finally solve the case by piecing together the security guards clues and being perceptive.  Along the way you learn a bit about the characters, but nothing substantial.  You don’t feel a connection to the characters, and are only slightly annoyed when Clementine kind of takes over. 

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The second book where the Museum of Air and Space, and thus Amal are leading the plot is The Case of the Stolen Space Suit (#6 in the series).  I didn’t like this book as much as the earlier one because while yes, I learned about Sally Ride and how women in space are often over looked, I felt like the culprit was let off the hook with little reprimand for stealing Sally Ride’s space suit.  Once again the four kids come together to solve a mystery this time it involves two of the museums: Air and Space and American History Museum.  There is a bit more blatant lying in this book, which is normal in this genre as the kids have to snoop around and not get caught, but they seem a little less apologetic this time around.  The red herrings aren’t as believable, and the real culprit is only spotted by chance, no real sleuthing.  

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WHY I LIKE IT:

Obviously I like that a Muslim girl is included in this very diverse foursome.  She wears hijab, has a muslim name, tucks her phone in her hijab to go hands free, and is of Somali heritage.  Her father is educated and not over bearing or stereotypical, and her background is just detail.  Her group of friends seem to appreciate each other’s cultures and talents as well as their passions and hobbies.  The kids vary in age from 10 to 13 with two girls and two boys.  The only lack of diversity is perhaps that they seem to all be middle class and fully able bodied.  Faith, family structure, culture, all run the gambut.  

There is no religious reference at all.  The book mentions her scarf only as a hands free life saver, and we learn her favorite hijab is blue with little stars on it.

I like that all the books are full color about 120 pages.  There is factual information at the begining and at the end.  There is also a summary on each kid at the begining.  The story concludes with a glossary,  writing prompts, discussion questions, and information about the author and illustrator.

I love the covers.

 

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FLAGS:

There is lying, but the rest is clean.

TOOLS FOR LEADING THE DISCUSSION:

I probably wouldn’t use this book as a book club selection because there isn’t really much to discuss.  I would definitely have this series in the classroom or recommend it to other early chapter book readers.  Like Brezenoff’s other series the book is satisfying in its simplicity and a good book to build interest in a variety of things while feeling accomplished at reading a book.

 

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nine, ten: A September 11 Story by Nora Raleigh Baskin

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nine, ten: A September 11 Story by Nora Raleigh Baskin

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I still struggle with the fact that 9/11/2001 is taught as history, it seems so current and fresh in my mind, that I really struggle with how works of fiction (and non fiction too) try to tell me about the pulse and the mood and the impact of something that I lived through and recall so clearly.  I suppose this isn’t a unique predicament, but because of the magnitude, one that I still wrestle with.  The author of nine, ten glosses over the big picture and in a lot of ways, the events of 9/11, but instead tries to show the paradigm shift that occurred and the division drawn as life before and life after.  She attempts to do this on an AR 4.8 and in 197 pages.  No easy feat, but one that definitely has some hits, and for me at least,  a few misses too.

SYNOPSIS:

Told from four different perspectives that intersect at the opening and at the close, the reader meets the characters two days leading up to 9/11, spends some of September 11 with them, and then peeks in on them again a year later.  The characters all cross paths at Chicago’s O’Hare Airport.

The first character is Will.  A middle school boy struggling to come to terms with how his father died helping someone on the side of the road.  Often more responsible and mature for his age as he helps his mom with his younger siblings, he lives in Shanksville, Pennsylvania and finds healing with helping those affected by the plane that goes down there.

Next we meet Aimee, who has just moved to California and is starting a new school.  Her daily drama is more missing her mom who travels a lot to New York for business, but is relatable as she tries to make new friends, fit in, and find her place in a new environment.  Her mom is in New York during the duration of the book, and has a meeting in one of the Twin Towers on the 11th.

Sergio lives in Brooklyn, New York and is a math wiz who gets a special award and recognition for his achievements.  He lives with his loving grandma, but it is the stressful encounter with his deadbeat father that sets him on a fateful subway trip that introduces him to Gideon, a New York fire fighter.

Naheed is the fourth character, and is an Iranian American Muslim girl, who is struggling to handle friends, and new questions about the hijab she wears.  Her friend drama consumes her, until 9/11 happens and she has to now prove her love of America at every turn.

The characters each take chapters divided by dates and while short, they do form a connection in their snapshots.  You feel like you get to know the characters and you do feel a tinge of stress knowing how they are all related geographical to what will transpire on the 11th. But in the afterward, the author explains why she intentionally keeps the carnage at bay to show how connected we all are, especially children, at the forefront of her fictionally retelling, and to show how much we all were affected that day.

WHY I LIKE IT:

I like that breaking up of the story, it adds some dimension to the book.  I know some reviews feel it is over done, but I think it is deliberate, and highlights how we all are inter connected and for late elementary, early middle school readers, I think the choppiness it allows, keeps the book on their level.  I like that each character has their own struggles, it isn’t that life was rosy and then 9/11 ruined everything, these kids have their own issues and stresses and realistic personalities before and after.  I also like that the Muslim character is not from the Middle East, it further shows how groups get lumped together for different reasons giving the book a bit more for readers to consider.

There are however, some real issues in how they present Naheed, which seems odd, since the book is so politically correct, and given the topic, you’d think the author and editors would work overtime to get the islamic parts correct.  But alas at one point Naheed’s visiting Uncle wants to know why Naheed doesn’t pray the mid day prayer, thuhr, at school, to which the mom replies, “she makes up her prayers at third prayer.” What? Yes I laughed out loud, no one calls the prayers by their numbers! I have never used numbers to describe our prayers, they have names, and we use their timings to describe them to others, not numbers. At one point, Naheed is making wudu, ablution, and the author gets it wrong. “And lastly, feet.  Right foot with right hand. Left foot with left.  Toes to ankles.” Left hand for both feet.  I also take some issue with Naheed having to wear hijab at age nine.  Hijab becomes required at puberty, so yes it could have been when it became required of her, but it seems a little young for her, and it seemed a bit forced.

In terms of plot, I would have liked a day or two after 9/11 to juxtapose the differences in priorities and the lens of how we got to a year later, or two years later, or 15.  Also, how they all went to New York on the anniversary to tie the story together made for a nice ending, but why they all went was a bit of a stretch, ok a big stretch.

FLAGS:

For a book about 9/11 there is relatively no violence.  The only death is in talking about Will’s father and the only blood is when Sergio helps a man on the subway.  There is some hate speech at the end, but even that is minimal.  Will does kiss a girl he likes. And both Will and Sergio skip school.  Aimee worries if her mom is having an affair (implied) and if her parents are getting divorced, but it isn’t explicit.

TOOLS FOR LEADING THE DISCUSSION:

I think this would be a good book for a younger book club.  With its overt commitment to political correctness and breaking down stereotypes, it reinforces how similar we all are through strengthening bonds of humanity, rather than being divided by our skin color, or religion.  I think it would also lead so easily into faccilitating discussion of today’s kids putting themselves in the story.  What in their lives wouldn’t matter any more or what would matter more. There is a Reading Group Guide at the end of the book, along with an Author’s Note and Acknowledgement, that easily lend themselves to more discussion ideas.

Curriculum Guide: http://www.norabaskin.com/nine-ten-curriculum-guide/

 

A Bedtime Prayer for Peace by Akila Dada & Sukaina Dada illustrated by Michael Wagstaffe

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A Bedtime Prayer for Peace by Akila Dada & Sukaina Dada illustrated by Michael Wagstaffe

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This is a slow, deliberate, thoughtful book, that does a good job or setting a prayerful tone with short rhyming sentences.  Intended for preschool age children, early elementary children also will enjoy this book in rotation at bedtime or nap time.  

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The book thanks the creator and asks for protection for all things small and large, seen and unseen, in a gentle dreamlike manner that really could go on for so much longer than the 32 pages present.  Some items mentioned like the plants and trees a preschooler will know, but some of the concepts introduce little ones to something bigger, “Give shelter to families who need a home, Help all the people who feel alone,” “Guide us with your grace and might, keep us safe from every plight.”  

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The prayer is voiced by a mom to her young boy, Esa, and the illustrations show traditional subcontinent dress as well as western clothes being worn.  The author’s are Muslim but the book is not overtly Islamic.  Sometimes the mom is in hijab, but when in the home she is not.  More distinctly, the word Allah is not used, only God is, and thus the book and prayer, really would work for any monotheistic child as the book does say, “Dear God, protect my beautiful son, You are the Truth. You are the One.”

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The true treasure of this book is that the main character is in a wheelchair.  Showing different abled characters is always such a blessing as it normalizes it and inshaAllah makes us more accepting when out and about.  The illustrations don’t wow me, but their quiet simplicity keeps the pace of the book, and don’t scream for attention.  Some of the smaller details are endearing and help sleepy eyes linger on page without feeling rushed.

With a hard 8×8 cover, the book is a good size for little hands to read over and over again, alhumdulillah. 

 

Amina’s Voice by Hena Khan

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This book really marked a shift in Islamic fiction for me and the genre.  First of all I was waiting for the book to come out.  I didn’t stumble upon it or hear about it from someone else.  I knew when it was going to be released, and I knew I wanted to read it. Additionally it was the first books published by Salaam Reads, an imprint of Simon and Schuster. Which according to their website was “founded in 2016, Salaam Reads is an imprint that aims to introduce readers of all faiths and backgrounds to a wide variety of Muslim children and families, and offer Muslim kids an opportunity to see themselves reflected positively in published works.”  This is big, huge in fact.  The bar has been raised, and a platform has been given, no more excuses.

Alhumdulillah, Amina’s Voice is a beautiful 197 page book for children ages 8-12.  The book is not AR, but probably will be in a few weeks.  I think it is spot on for 3rd through 5th grade in terms of content, message, and appeal.  The book caters to females and Muslims, but naturally is not limited to those two demographics exclusively.  There are characters of a variety of ethnic and religious backgrounds in the novel that play significant roles in saving the day and keeping the book powerfully optimistic and inspiring.

SYNOPSIS:

Amina is starting middle school and everything is changing for Amina. Her friends are acting different, her older brother is skirting with trouble and her religious uncle is coming to visit from Pakistan.  Internally, she doesn’t like the spotlight but desperately wants to get out from behind the piano to sing.  All of this combines in a climax that pivots around the destruction of the mosque she attends and her having to find her voice, and use it to take center stage in her own life.

WHY I LIKE IT:

There is a lot going on in the book, but it doesn’t get over whelming with Amina’s voice keeping the reader focused on her and her view of the events around her.  The author does a good job of getting inside a 12 year-old girls head without being condescending or heartless.  The reader feels her stress that she is losing her best friend, Soojin to Emily, a girl who used to torment the two “ethnic” girls, without belittling her concerns.  You also feel her love of Islam and struggle to understand if music and singing is permissible within Islamic rules.  The book is realistic fiction with school, friendships, and family guiding the story.  Everything from the ups and downs of group projects, inside jokes between siblings, and trying to pronounce the big HAA in Arabic.  The macro of middle elementary years combined with the micro facets of culture, religion, and current events, and you speak to a section of readers that will connect with Amina and what she goes through in a very authentic, relatable story.

The only points that gave me pause is the premise and music in the book.  It is a point of disagreement amongst nearly every group of Muslims, so to have the Imam sitting and listening to her play the piano, is a bit hard for me to accept as the norm, no matter how cool Imam Malik is.  Additionally, I wish that Amina’s mom had some depth, and the relationship between Amina and her uncle, Thaya Jaan, was fleshed out just a tad more.  In both cases I felt something was lacking, and I wanted more.

FLAGS:

Nothing major, but a few minor issues, that a parent may want to be aware of for younger readers.  Mustafa, Amina’s brother, is seeing skipping Sunday school class and reeking of cigarette smoke.  He denies it, and the issue is definitely not glorified.  There is also crushes discussed amongst Amina’s friends and when Amina spills a secret, she has to own up to it and work it out to maintain her friendships.  The destruction of the mosque could also be upsetting to younger readers.  It isn’t graphic, but her emotional response and the intensity of it, is the climax, and a very real part of our world sadly. For parents, this fictional vandalization could possibly be a great place to start a discussion from if your children are somehow unaware of the current status of Islam in the west.  It also shows that people are good, as the whole larger community, comes together to show unity, love, and respect are values to us all, alhumdulillah.

TOOLS FOR LEADING THE DISCUSSION:

This book would be perfect for a 3rd through 5th book club.  If I was starting a new book club I would start with this book.  It has it all. It has real issues, religious issues, universal issues, and heart.  All while staying on age level and all in a realistic fiction safe space to have an opinion about objectively.  The discussions after the book is read will flow naturally, but just in case:

Reading Group Guide:  http://www.simonandschuster.com/books/Aminas-Voice/Hena-Khan/9781481492065/reading_group_guide

Author’s Page: https://www.henakhan.com/