Tag Archives: Idries Shah

The Man with Bad Manners by Idries Shah illustrated by Rose Mary Santiago

The Man with Bad Manners by Idries Shah illustrated by Rose Mary Santiago

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This story has a good moral, but the path there is a little twisted.  A village is annoyed by a man with awful manners and when he leaves for vacation, a clever boy convinces everyone to teach him a lesson and get him to change his ways when he returns.  They replant his field, paint his house, and rearrange his furniture to convince him upon his return that this is not his village or home or fields.  

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When he does come back, he is confused and sad that he doesn’t know where he comes from, at which time the village tells him what they did, and agree to put everything back if he promises to change.  

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The 32 page brightly illustrated book tells an Afghani tale in a western setting.  The chunky cartoonish illustrations show great imagination and encourage the reader to look at the effects of bad manners in a different way.  The clever boy, also goes about things in an extreme manner, which hopefully gets the reader to question if it was successful and perhaps how they would have handled the situation.  Another book that urges, thinking outside the box, with some discussion and reflection.  There is some lying, breaking and entering and other questionable actions, but I think most kids will realize it to be a silly story to teach a lesson, and all is forgiven because in the end they did live happily ever after.

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The book is not AR but easily works for Kindergarten to 3rd grade.  There is nothing in the text or illustrations that suggests the book has any religious or cultural ties.




The Silly Chicken by Idries Shah illustrated by Jeff Jackson



This story reads wonderfully aloud as it is silly, repetitive, and the message is more clear than in some of Idries Shah’s other Sufi inspired teaching books.  Written on an AR 4.0 level with 32 pages.  Some pages are heavily text laden while others just sprinkle a few words across a beautifully illustrated page.  Like his other books, the illustrations are truly spot on.  The lively faces on the characters, and colorful scenes bring the story to life and keep the audience engaged and giggling.


A man decides to learn how to speak “chicken,” when that doesn’t work, he teaches the chicken to speak our kind of language.  Fluent and conversational, the chicken then tells the villagers that, “The earth is going to swallow us up!”.  Everyone runs in all directions, up the mountain, down the mountain, across the meadow, around the world, but they can never get away from the earth.  When they return, they are upset with the chicken and ask how he knows that the earth is going to swallow them up, to which he replies that he doesn’t.  After they recap all the trouble he has put them through he poignantly laughs at them and asks, ” You think a chicken knows something just because he can talk?” Realizing how foolish they have been the chicken begins telling more outlandish things, just to make the people laugh, and isn’t taken seriously again.

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The message is clear, the characters funny, and the illustrations engaging. I finally found an Idries Shah book that I like! Yay, I guess for me they are hit or miss, and this one was definitely a hit!


The Clever Boy and the Terrible, Dangerous Animal by Idries Shah illustrated by Rose Mary Santiago

The Clever Boy and the Terrible, Dangerous Animal by Idries Shah illustrated by Rose Mary Santiago


This book makes me forgive the author for his other books that left me puzzled as to his popularity.  This is wonderful, timeless and so simplistic, yet full of wisdom, lessons, and reflection that I’m thinking of gifting it to many of my teacher friends.  In its 32 pages written on an AR third grade, 2nd month level, the simple and powerful lesson of how ridiculous it can be to be afraid of what you don’t know is driven home.

And just think. It all happened because a clever boy was not afraid when a lot of silly people thought something was dangerous just because they had never seen it before.

A boy goes to a neighboring village and finds the villagers afraid of, wait for it, a watermelon.  The boy laughs and laughs, and pulls out a knife to cut it and enjoy its sweet juices.  The villagers then fear the boy, until experience and knowledge about what it is and how to grow it, change everyone’s opinion and the village renames itself Watermelon Village. Oh, the power of knowledge.

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I can see this book being so great to introduce kids to how a little knowledge, asking questions, trying something can do everything from finding something you like, to breaking down stereotypes, to shifting your paradigm.  I feel like Islamaphobia, among so many other things, could be done away with by and large if people would just get to know us!

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The villagers depicted wear kufis and hijabs and kurtas, and the author writes to share his stories from his oral Sufi tradition, but there isn’t anything overtly Islamic in the text.  The kids as young as preschool will enjoy this at storytime.  They will find being afraid of a watermelon preposterous and silly, making the point that much stronger.

I like that the cover doesn’t given much away, and most children will take the title at its word and think that it is an animal.  Getting student’s ideas of what the terrible animal will be adds to the creative thinking and discussing after as well.  The pictures are wonderful and endearing and many editions come in two language formats.


The Magic Horse by Idries Shah illustrated by Julie Freeman


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I didn’t get it.  I read it to my kids they did’t get it. I know it is written on an AR 5.8, but even with that, we didn’t get it.  I had to google it to see what the deeper meaning of the story was and all I found is that it is a teaching tale of two princes and how one found his heart’s desire in a fish and the other in a horse.  Which, I did get, but didn’t really get more than that.  The details in the story seem to wander and meander around to no point and not in an entertaining way. I never felt a connection to the characters, so their side stories didn’t appeal to me.  It is possible that I would have viewed it more favorably as a short story rather than as a really long picture book, but its hard to say.  I guess I feel like if forced, I could write an essay explaining all the small lessons, and moral guidance, but as a children’s book, I don’t want to dig so deep or spend hours at bed time trying to convince my children that the story made sense.  Ideally the book should have been shorter and more streamlined, or longer and fleshed out.


It starts out with an enlightened king encouraging his subjects to make new discoveries to promote quality of life, wealth and knowledge. He has two sons, one is an expert in strange devises and one is a dreamer.  The king puts out a call to have something new made, and an ironsmith makes a fish out of metal than can fly and swim and carry things.  A woodworker makes a magic horse that interprets the desire of the rider and carries the rider toward it.  The king suddenly becomes cruel and finding this a waste of time has the woodworker tied up.


The dreaming Prince Tambal rides the horse on many adventures, which kind of disjoints the story and makes it like a fairy tale about Tambal falling in love and trying to persuade a king to let him marry his daughter, and in turn having to trick the intended suitor instead. Along the way there are poisonous fruits, turning into a beast, and eventually returning home to prove that, “Those who want fish can achieve much through fish, and those who do not know their heart’s desire may first have to hear the story of the wooden horse.” Huh? Exactly.

The Boy Without A Name by Idries Shah illustrated by Mona Caron

The Boy Without A Name by Idries Shah illustrated by Mona Caron


It is hard to know what a child would get out of this 32 page 3.2 AR level, but even if they just get lost in the pictures, and swept away by the idea of a boy searching for his name and a dream, I suppose there is value.  Some, ok most of Idries Shah’s, Sufi teaching stories are beyond my comprehension, but they are lyrical and often silly just the same. He has written over 30 and the libraries have quite a few, and people online seem to love so many of them, so perhaps I’m just not clever enough or philosophical enough to grasp them.  Which is neither here nor there, but maybe don’t buy one until you read one and see what you get out of them.  I keep checking them out and hoping I too will fall in love with one, I’ll keep you posted.

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Before they can name their son an old man comes and tells the parents to not name him and to wait.  The boy grows up searching for a name, hoping someone has one he can have.  At one point he is made aware that he has nothing, even to trade for a name.  He responds that he has an old dream he no longer wants.  He and his friend Anwar then go to the wise man and he receives his name and a new dream.

The synopsis claims that patience and determination is learned, but I couldn’t get over the fact that the parents just didn’t name their child, and I never felt like I learned why he was such an important boy.


The pictures are wonderful with the scenic village’s tall minarets and colorful hijab clad women in the market place.  I particularly like the magic spilling out of the boxes in the old man’s house when the boys are finding names and dreams.  There is nothing overtly Islamic in the text, I’m not aware of how strong the Sufi origin is, not being Sufi, or having studied it.  But the illustrations definitely place the book in an Islamic cultural environment and the names reinforce this.


The Farmer’s Wife by Idries Shah illustrated by Rose Mary Santiago

The Farmer’s Wife by Idries Shah illustrated by Rose Mary Santiago


The book reads very much like the western children’s story/song, “I know an old lady who swallowed a fly,” but in this Sufi inspired repetitive story, An old Farmer’s wife can’t get an apple out of a hole.  

The silliness starts right away when she wants to get a bird to fly down the hole to get it for her.  When the bird says, “tweet,” which means no, she deems him naughty and then moves on to asking a cat to jump on the bird, to get the bird to get the apple.  The funny thing is the chain of events is funny and illogical at points. She wants water in a puddle, to put out a fire to burn a rope, the rope to tie up a bee keeper, and so on.  Luckily the wind finally blows the apple out of the hole and they all live happily ever after.


The book supposedly is to teach patience, I am hoping to use it when I do a lesson on thinking outside the box and how sometimes that is great, but the trick is knowing when it might also be easier to reach down and pick up the apple.  

The book is AR 3.4 and 32 pages.  Many versions are dual languages.  The pictures are great with the abiya wearing woman and the chunky cartoonish side characters making the silly story fun to read a loud.  There is nothing “islamic” other than the illustrations showing the woman in hijab, and the author being a well known sufi writer who uses lessons from the Sufi tradition to teach lessons to children.