Tag Archives: ifrit

The City of Brass by S.A. Chakraborty

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The City of Brass by S.A. Chakraborty

This series is adult fantasy written by a Muslim author for her ummah and contains Muslim characters. I think the series as a whole is definitely not YA, as the main characters would age out of the target demographic, but I think that book one could qualify. I’ve contacted the author to get her perspective on the matter, and will update this if I hear back. So why am I reviewing it? Because it is so good, and I’ve heard of a lot of people letting/encouraging their teens to read it, and honestly, I did as well. There is complex world building, implied physical interactions, one hinted at gay romance, alcohol, concubines, violence, djinn, ifrits, killing and one kiss/slight make out session. There is also Middle Eastern culture, Islam, and a fiery protagonist that make the 530 pages in the first book fly by. I’m only reviewing the first book, and I think 14 years and up can handle it, I know my 14 year old and I haven’t stopped talking about it, and it has been quite fun to fan girl with her over it.

SYNOPSIS:

Nahri is living in 18th Century Cairo. She is completely alone and always has been. To survive she relies on her healing abilities and her ability to steal, cheat, and con her way to food and shelter. She knows nothing of her past, but is able to pick up any language after hearing a few words. At a performance to con a family needing help healing their daughter, she accidentally summons a djinn, Dara, which in turn awakens a graveyard full of ifrit, and sends Nahri on the run. Not trusting Dara they are travel companions none-the-less as they make their way to Daaevabad, a protected home of the fire beings, and the only place Dara thinks she will be safe. Along the way on the month long journey, Nahri tries to learn about the djinn, called Daeva, and the creatures they are running from. She also learns that she is the last surviving Nahid, healer, and while she may be a shafit, a half blood, she has powers and lineage the kingdom desires. Dara isn’t forthcoming with information, as a result his dark past and incredible powers keep Nahri on edge. She is constantly plotting her escape from the magic carpet carrying them and the future that she doesn’t understand let alone know if she wants.

The book is told from Nahri’s perspective and from Ali’s as well. Ali is the second born son to the king of Daevabad and has been raised away from the palace at the citadel. With a soft spot for the shafit, second class citizens of Daevabad, he gets tangled up in a plot to free child slaves and gets called back to the palace to be watched and tested as his brother’s future Qaid, the top military official that he has been preparing for his entire life. Ali is already an outcast to his family, as a devout Muslim in practice, belief, and actions, unlike his family who identify as Muslim for political unity.

Once Nahri and Dara cross in to Daevabad and the two narratives come together, the politicking, deception, deceit, and historical complexities get intense. The king demands that Ali get to know Nahri so that she can be persuaded to marry the emir, Muntadhir, but Nahri is in love with Dara and struggling to learn how to be a healer in the mythical world. To say that the story gets messy with the djinn tribes, and the manipulation of power and historical atrocities would be a simplification. But the writing is superb, and the world building encompassing. The book doesn’t drag and even after reading all three volumes, you’ll find yourself thrilled to know that the author has some additional points of view online.

WHY I LIKE IT:

The author takes a lot of liberties with Prophet Suleiman’s story, but it is fiction and I don’t think that anyone would be mislead by the information given about him and his control over the djinn. The “Islamic” elements in the book are really just that, elements, they aren’t plot lines, or more than just a layer to the setting and the characters. The history and the cultural richness is made more complete by the foods, clothes, and salat times mentioned, but there is nothing Islamic fiction about the text.

I love the writing. Period. It is engaging and doesn’t lag or feel repetitive. The characters are very fleshed out: no one is good or bad, the entire cast is shades of gray, and their motives and intentions are often debatable. My daughter and I have argued and I don’t think we have tried this hard to convince each other about characters since Harry Potter, and it is so great!

FLAGS:

SPOILERS: Dara and Nahri have chemistry and they kiss and long for each other, but it isn’t the bulk of the story line. Ali starts to fall for Nahri, but he has poor judgement so it is by and large dismissed. Muntadhir is always drinking wine and courting courtesans and is never in his own bed, nothing is detailed, it is said in passing, or implied. It is also hinted that Muntadhir is in love with his best friend, a male, and pretty much everyone knows, and they just look the other way. It does not state anything explicitly about them, but it is hinted at, implied, and mentioned by the other man’s father that the prince has broken his son’s heart numerous times.

Wine is always present, as is stealing, and lying. There is a lot of violence, not overt gore, but occasionally graphic as Nahri is a healer and there is a war simmering in the current time line, and a historical one that wiped about a whole tribe that is discussed throughout.

TOOLS FOR LEADING THE DISCUSSION:

I wouldn’t be able to do this for middle school, but perhaps closer to the end of the school year, I would suggest that the high school book club consider it. There is a ton online for this award winning debut novel, so I’ll just include the author’s website: http://sachakraborty.com

Happy Reading!

The Candle and the Flame by Nafiza Azad

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The Candle and the Flame by Nafiza Azad

flame

It takes about 124 pages to be swept away to the city of Noor, but once it happens, it is hard to come back.  The 391 page fantasy story takes a while to get going, but the character driven plot filled with amazingly strong and diverse women is worth the slow start.  Middle school readers and up (AR 5.8) will enjoy the blend of Islamic imagery, sub-continent Asian culture, fire, Ifrits, Djinn, family, relate-ablity and good quality story telling.  The fact that it is a main stream book, with so much religion and culture makes it all the more remarkable in its universal appeal.

SYNOPSIS:

Fatima is a Muslim girl adopted by a Hindu family, only everyone in the entire city was killed eight years ago except for Fatima, her adopted sister, and an elderly lady, when the Shayateen attacked.  The orderly Ifrit were asked to defeat the Shayateen and protect the city, and when they did, the wealthy returned along with people from other cities.  Thus Noor is now a vibrant city of different backgrounds, cultures, religions, and languages repopulated and ruled in halves by the Maharaja, Aarush and Ifrit Emir, Zulfikar.

Fatima works as a messenger and her favorite place to deliver packages to is an old book shop owned by Firdaus, an Ifrit she regards as a fatherly figure.  He has taught her languages and provides her a place to learn and grow.  When he dies in front of Fatima, she is forever changed, literally, he transfers his powers to her, and she is now not only part human, part Ifrit, but also the Name Giver, an incredibly powerful and important being in bringing the smokeless Djinn from their wold to her hers.

With rebel forces threatening the Maharaja’s rule, Ghul and Shayateen entering the city, a taint threatening the leader of the Ifrit, a traitor in each palace, and a budding romance between Fatima and Zulfiqar, the characters pull you in and create an enjoyable story that is vivid, fantastic, and hard to put down.

WHY I LIKE IT:

The story doesn’t have a neat and tidy plot culminating in a climax, but the character arcs and vivid world building pull you in and keep you interested.  I love that the characters are different and complex and unique, and that women are so so strong and celebrated for their strength in all spheres, not at the expense of the males, but solidly in their own right.  It is refreshing and glorious to see the matriarchal Ifrit world contrasted with the human world, and the strong females that emerge in both.

I love that there is so much diversity and tolerance and the book doesn’t shy away from presenting faith practices and acceptance in such an honest manner.  There is a four page glossary and it is needed, yet not overwhelming at the same time.  The most read page in the book for me however, was the Dramatis Personae page listing the characters.  Until that 124 page mark, I was constantly flipping back trying to keep everyone straight, not so much because the characters are confusing, but “what” they are took a little while to stick.

I got sucked in by this book truly, I ignored my children during our Corona virus quarantine one day to read the second half, and I don’t regret it one bit.  The romance, was a bit cheesy at the end, but it was clean, and sweet and presented as a way forward, not as a settling or sacrificing choice for either character which was greatly appreciated.

FLAGS:

There are a few kisses once the two main characters are married.  There is stalking and attempted sexual assault by a character, but Fatima more than took care of that with the support of many strong females.  There is mention of a homosexual relationship, but not dwelled on, and I think one could argue that there is  possibly something more going on between two of the females, but it isn’t explored.  There is death and killing and violence, but nothing extreme.

TOOLS FOR LEADING THE DISCUSSION:

I had hoped to sneak this in for book club next month, but with school closed indefinitely, it might have to wait until next year. I think girls will gravitate more to it than boys, but I think that is ok, because often girls need more of a nudge, in my experience, to give fantasy a try.  I am trying to convince my daughter to read it, but the first 100 pages are pretty slow, so if I can’t force her through it, I don’t know what chance I’ll have, here’s hoping.

NPR Review: https://www.npr.org/2019/05/18/724120066/language-has-magic-in-the-candle-and-the-flame

Interview with Nafiza Azad and Hafsah Faizal (We Hunt the Flame) https://www.slj.com/?detailStory=hafsah-faizal-and-nafiza-azad-interview