Tag Archives: romance

An Emotion of Great Delight by Tahereh Mafi

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An Emotion of Great Delight by Tahereh Mafi

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This 256 page YA OWN voice book is a real and raw look at a character and the many layers of life weighing down on her.  At the center of it all is a strong Muslim teen dealing with post 9/11 bigotry, the shattering of her family, toxic friendships, and a broken heart.  It is a love story, but it is so much more, as the protagonist’s voice draws you in to her crumbling world from the very first page and has you begging for more when the last page is read.  So often in Muslim-lead-mainstream-romance-themed novels, I want there to be introspection at the choices that the character is making and the internal processing of navigating their wants with their beliefs, and this book surprisingly does it.  There are some kissing scenes, cigarette smoking, cosmo magazine headlines, and waiting for her father to die, but not without introspection. Shadi reflects on her smoking quite often, she questions the repercussions of her actions, and she analyzes her father’s faith and approach to Islam as she forges her own relationship with the deen.  There is mention of a Muslim character drinking, doing drugs, hooking up, and it mentions he had condoms in his car, just those exact phrases, nothing is detailed or glorified, just stated.  There are also threads of mental health, self harm, death, and grief.  The characters are genuinely Muslim and some of their experiences are universal, and some specific to the faith, culture, and time.  Muslims and non Muslims will enjoy the book, and I would imagine relate to different things, but find it overall memorable and lingering.  For my Islamic school teens, I’d suggest this book for 17/18 year olds to early twenties.  It isn’t that they haven’t read more graphic books, but to be honest, Shadi has a lot going on, and if being close to Ali can lighten her load and help her find hope and joy, I’m all for it.  I know it is “haram,” but it is fiction, and it will have readers rooting for them to be together, not a message you may want to pass on to your younger teens.  As the author says in her forward, “we, too, contain multitudes.”

SYNOPSIS:

The layout of the book bounces between December 2003 and the year before.  In a previous time, Shadi’s life was easier, her brother was alive, she had a best friend, her Iranian immigrant Muslim family may have had stresses and issues, but they were a family. In 2003, Shadi is largely forgotten by her parents, her brother is dead, her father is close to death, her mother is self harming, her older sister preoccupied, and as a high school student Shadi is both falling and being crushed by her heavy backpack both metaphorically and literally.

The story opens with Shadi being approached by a police officer wondering why she is laying in the sun, he thinks she is praying, and she doesn’t have the energy to be angry by this assumption, she is exhausted, and doesn’t want to cause any waves that might get back to her fragile mother and cause any more stress than necessary.  So she drags herself up, and begins the walk to her college level math class miles away.  The sun is short lived and the rain begins to pour, she knows no one will come to pick her up.  Her parents have long ago stop being present in her life.  She once had a best friend, but that relationship, as toxic as it was, also has ceased to exist.  So she walks, and she is drenched, and she falls, so she is now soaking wet and bloody.  A car slows down to presumably offer her a ride, but then he speeds off drenching her in a tidal-wave.  The scene is set for the tone of the book. Shadi is drowning, we don’t know all the reasons why, they unfold slowly, but we know that it is going to get worse, her phone is nearly dead and her sister has just called to let Shadi know her mother is in the hospital.

I don’t want to detail my summary as I often do, because the way the story unfolds, would really make any additional information given act as a spoiler.  The book is short and a fast read, but along the way the introspection to the chaos that is Shadi’s life, makes it impossible to put the book down.  Shadi will have to confront her crumbling life and find away to reach toward hope.  She will have to keep walking to avoid drowning and along the way cling to the few precious things that give her joy: an emotion of great delight.

WHY I LIKE IT:

I really enjoyed this book.  I loved the Islam and real approach to her volunteering at the mosque and calling out racism within the community and diving deep in to understanding is Islam more than just rules and toeing the line.  It was a great mirror for so many nuances in real life, that I will probably re-read the book again in the near future, to enjoy it all.  I absolutely love the unpacking of the toxic friendship.  When women tear each other down under the guise of caring it is brutal, and the acceptance and growth that Shadi is struggling with in regards to her best friend of six years, Zahra. who is also Ali’s sister, is a reminder that sometimes walking away is the only choice.  

The two criticisms I have of the book are: one-that the book is too short, I wanted, no, I needed more.  And two I didn’t understand why Ali’s family and Shadi’s family were no longer close.  I get that Shadi cut Ali out of her life and Zahra and Shadi had a break, but Ali/Zahra’s family still care for Shadi and she for them, so what happened between the parents? It seems that the death of a child would draw the friends out and make them protective, not push them to being aloof.  It seemed off to me and major plot hole.

FLAGS:

As I mentioned above: kissing, smoking, drugs, hooking up, referencing condoms, cosmo headlines, self harming, grief, death, alcohol.

TOOLS FOR LEADING THE DISCUSSION:

I don’t think even high school could do this as a book club selection, because you really want to ship Shadi and Ali.  If you had like an MSA book club then I think this would be a great choice.  I would love to hear teens’/young adults’ thoughts about Shadi’s view of religion, her fathers approach, and how they view passing the deen on to their children.  I think it offer great role-play scenarios in empathy and how you’d react in real life to finding your mother struggling, your best friend taking off her hijab and being so jealous of you, the bullying, the assumptions, understanding your father and where to assign the blame for such a traumatic event that claimed your brother’s life.  There is so much to discuss, and I hope at some point I find the right forum to chat about this book and listen to other’s perspectives about it.

This Is All Your Fault by Aminah Mae Safi

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This Is All Your Fault by Aminah Mae Safi

 

img_8116I wanted to give the author another chance to win me over after really disliking her first book’s writing style and characters and while this book is an easier read, I was shocked when the Empire Records inspired story really crossed over to me to being almost plagiarism.  I was a huge fan of Empire Records as a teen in the 90s, and can quote the movie, recall with little effort when Rex Manning Day is (it was yesterday), and know what is going to  happen at 1:37 exactly, so I was really excited to see what this Muslim author did with her spin of turning a music store in to an idie bookstore and focusing the story on three high school females. I wasn’t expecting the spin to be so minor though, and to still find an AJ and a Warren in the character list, a girl shaving her head, an employee dance party on the roof, a scummy celebrity, a celebrity assistant hinted at romance, a character deciding that today is the day to tell her crush how she feels, you get the point, it is remarkably similar.  If you haven’t seen the PG 13 movie, the book isn’t terrible, but it is very scattered with three voices, a lot of side characters- often random, and unresolved story threads, the book takes place in one day after all, I don’t know that it is really worth the time to read it.  There is straight and LGBTQ+ romance and break ups mentioned, a kiss, alcohol, vape pens, marijuana, sexual assault, some violence (slapping), a theft, language and one character has Arab parents and mentions Middle Eastern poets as well as likens the book store connecting people to the concept of an Ummah in Islam.  I can’t think of a demographic that I’d really recommend the book to, nor do I think that I’d ever read it again, the author’s writing style for me improved slightly but the characters are forgettable and the story un original. In terms of appropriateness probably high school readers, 14 and up.

SYNOPSIS:

Eli is closing up Wild Nights Bookstore and Emporium and accidentally opens the manager’s computer and accidentally logs in to her accounts and accidentally learns from her emails that the book store is closing in less than two weeks.  He then sees that the bank account is still logged in and finds a petty-cash account that has $9,000 and decides that he for once in his life is going to try and help out the store and invest in something to grow the money and hopefully delay the closing.  Unfortunately he buys nine grand worth of Air Jordan knock-off shoes, and is unable to return them.  The next day when the entire staff rolls in to work, bits of the story come out, some know the store is closing, others are sensing something is amiss when boxes are being unloaded that don’t contain books, and to top it all off a famous author is doing a book signing later in the day.  

Each of the characters has something going on as well on this particular day, Rinn is going to tell AJ she loves him and use her influencer status to try and rally support for Wild Night,  Daniella is going to lift the veil on her secret poetry writing and share it, and Imogen is going to break up with her girlfriend of nine months and shave her head.  None of the girls like each other, and go out of their way to be down right nasty to one another, but eventually they come around, they support one another in the face of them losing their beloved store, and helping each other when one is sexually assaulted by the famous author.  Along the way the reader meets the quirky characters that come to the bookstore regularly, some that never leave, a manager who never seems to be there, and an owner with weird rules about technology in the store.  

The climax is the girls stepping in to their own and becoming vulnerable to who they are to one another, the world, and ultimately themselves.  The book store isn’t saved in it’s entirety, but it isn’t lost either and the direction forward looks infinitely more unified than the crazy day the they all just had.

WHY I LIKE IT:

I like that the wave of nostalgia that hit me as I recalled the regular watching and quoting of Empire Records from my younger days, but that really was about all the book gave me.  I wanted to love the girls coming together to save the day, but they were really crass and rough and while I’m glad they did get to a place of tolerance, the transition wasn’t cathartic because their original irritations with one another didn’t seem justified.  The lack of character connection made it hard to cheer for them when they broke free from what they perceived was holding them back as well.  For example, I wanted to be giddy with nerves when Daniella stepped on that stage, but the emotion just wasn’t there.  There was a lot of telling, not showing, and with three perspectives, it was just stretched too thin.

I kind of like that Islam and the concept of Ummah was referenced at the end, but really only someone like me looking for it and piecing together the poets she mentioned, her one parent being from Lebanon and the other coming to America after the six day war would even take that conversation as being in sync with the character.  She might not be Muslim, she is a lesbian has/had a girlfriend, and it is a non issue.  Religion is otherwise not mentioned in relation to her or any other character.  A French Tunisian customer calls her habibti and says ‘Handulullah.”  I probably am reading to much in to it, old habits die hard and even after writing over 500 reviews, I still get so excited to see someone in literature possibly identifying as Muslim.

One thing that really stood out to me as a hole in the story was that it never said what Danny’s plan was,  just kept hearing that it was a terrible, awful plan.  That bothered me. The pacing is also off, to have all this happen in one day you would think it was all happening so quick, but then there are really long winded tangents about cell phone cases and grape soda.  At times it is such a time crunch and at other times everyone is chilling on the roof or in the alleyway it is no surprise there is not enough business.

FLAGS:

Copied from above: There is straight and LGBTQ+ romance and break ups mentioned, kissing, alcohol consumption, a massive hangover, vape pens, marijuana, sexual assault, some violence (slapping), a theft, language. Nothing is really sensationalized though, the 

TOOLS FOR LEADING THE DISCUSSION:

Not even tempted to use this as a book club, or recommend others to do so.  There is no real literary or representation value, in my opinion.

 

Misfits in Love by S.K. Ali

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Misfits in Love by S.K. Ali

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I reread my review of Saints and Misfits before diving in to this sequel that can also work as a stand alone, and imagine my absolute delight when all the things I wanted more of: Muhammed and Sarah, the mom, Jeremy, etc., were explored in this wonderful high school and up, 320 page, romantic comedy story.  The romance stays halal and the comedy light, but seamlessly interwoven into a weekend wedding are very serious notions of racism and prejudice within the Muslim community.  The writing is flawless as I tried to tell the summary to my daughter I realized just how many characters there are in the book, yet while reading, I never once was confused about who someone was or how they fit in to the family, it really is quite remarkable how real and personal the characters all become.  In many ways the story is uniquely an American-Muslim (arguably) one with characters that are half this culture, a quarter that, wearing cultural clothes to coordinate with friends, mutli lingual, multi ethnic, and yet all coming together as friends and family.  We, nor are the characters perfect, but that our weakness is explored in fiction so that we all might benefit in reality, is truly remarkable.  I honestly couldn’t put it down, and my teen and tween children may or may not have had to figure out their own meals, as I hid in the corner to devour this book in a single day. I regret nothing.

SYNOPSIS:

Janna Yusuf has just graduated high school and has been spending the last few weeks at her father’s sprawling house on a lake to help with wedding preparations for her beloved older brother.  What started out with plans to be a small nikkah between Muhammad and Sara, has quickly snowballed into a “wedding” with a few hundred guests and an ever evolving color scheme.  With extended family and friends pouring in over the three days, Janna is anxious to see Nuah and finally tell him that she is ready to return his feelings, reunite with her mom after being apart for weeks, and see who her best friend Tats is bringing as her plus one.  But, Nuah is acting weird, her mom seems to be considering remarrying, and her father is revealing himself to be racist.  There is a lot going on, and in between wedding preparations, possible crushes, family drama, prejudice overtones, and a curious ice cream man, Janna is having an unforgettable weekend.

Janna and Muhammad are close, they are the children of an Indian American non practicing father and an Egyptian American religious mother.  Their parents have been divorced for a while, and their dad and his Greek wife Linda have two little boys and are hosting everyone and the wedding.  The heart of the story is Janna as she thinks she is ready to pursue something halal with Nuah, but is slightly intrigued by Sara’s cousin Haytham and very perplexed by her mother’s potential future new husband’s nephew Layth. Being it is a wedding, and many people are staying at her father’s house and many more at the hotel in town with their own families.  Jana is trying to figure stuff out about Nuah while hanging out with Nuah’s older pregnant sister.  She is constantly thrown together with Layth as she meets his Uncle Bilal, her mom’s college friend that has proposed to her, and who’s own daughters are friends of Sarahs.  Yeah, there is a lot of overlap, a lot.  It’s like real life. As attractions wax and wane in such a short time, it is the relationship Janna has with her own family and the contentment she must find within herself that ultimately matter most.

WHY I LIKE IT:

I love how authentic the story and its characters are.  I come from a small family, but a very close friend has a huge family, and this just reminded me of going to her family events and finding how interconnected and small the world really is.  I absolutely love Janna, she is Muslim by choice through-and-through and is genuine in her understanding and actions that, while the book is meant for Muslims and nonMuslims, she really sets the standard of how fictitious characters can positively affect their readers.  The only slightly forced thread for me was Janna suddenly loving animals and being ready to head to Peru.  I get that she was crushing, but it seemed a little too over the top for an otherwise very plausible plot.

The best part of the book, in my opinion is that it isn’t all fluff and fun, there are some very real issues that get spotlighted.  Like in Saints and Misfits where Janna is sexually assaulted by a seemingly devout, religious, well liked male, this story addresses racism and prejudice within the Islamic community.  Janna’s dad always felt treated as less than by Janna’s mom’s family for not being Arab.  He flat out warns Janna about her feelings for Nuah because he is Black.  Sarah’s Aunt is offended that the mendhi is more Desi than Arab.  The issues aren’t just pointed out, they require active acknowledgement and action.  The author’s note at the end, even discusses the significance and weight of such views at the end.

FLAGS:

There are mentions of the sexual assault that happened to Janna in the first book.  There is mention of periods, a possible affair, racism, and a character who drove while drunk and killed his son as a result.

TOOLS FOR LEADING THE DISCUSSION:

I don’t know that this book would be a great fit for a school book club, but I think a group of high school or college aged girls would thoroughly enjoy reading this and discussing it, and I would totally invite myself to their gathering to do so.

Hana Khan Carries On by Uzma Jalaluddin

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hana khanTechnically this book is adult fiction because the protagonist is 24 years old, but the halal rom-com is so sweet and considering the YA options that exist in the same genre, I think high school juniors and senior would do better to dive in to this light, enjoyable, albeit predictable, read over so many of the other options out there.  I read the 368 page book in two days, I was hooked and impressed with the strength of all the female characters, the step away from all the stereotypical tropes and the smooth writing style.  The book is for everyone and while packaged as a light read, there are some themes of immigration, family, choice, and OWN voice realizations that are presented and explored in a thoughtful and impactful manner.

SYNOPSIS:

Hana Khan’s mother owns and operates Three Sisters Biriyani Poutine in Toronto, there are not three sisters, biriyani poutine is not on the menu and business is bad, really bad.  The 15 year old restaurant that Hana named when she was nine is struggling even though it is the only halal option in the close-knit, diverse, golden crescent community.  When news hits that a new upscale halal restaurant is opening a few doors down, Hana chooses to ignore that the business was struggling and instead blames the new proprietors.  They are wealthy, corporate and insufferable.  Well, the dad is anyway, the son Aydin, he isn’t so easily defined.

Hana balances shifts at the restaurant, her internship at Radio Toronto and her own anonymous brown girl podcast.  Hana, real name Hanaan, comes from a supportive and close family.  Her dad was injured in a serious car accident, her older sister is pregnant, and her cousin from India along with a cousin-aunt have just arrived under suspicious circumstances.

As the new restaurant gets closer to opening, Hana finds herself stooping to all new lows to sabotage their success.  Encouraged by an anonymous podcast listener who she has been chatting with for quite a while, and inspired by her rebel cousin-aunt, Hana is determined to secure a permanent job in radio, save her family restaurant, and destroy the competition.  But, an attack downtown draws attention to growing Islamophobia and forces Aydin and Hana to work together.

In a fictional story where everyone knows everyone both in India and Toronto, crazy family members are endearing and loyal, it is no surprise that the main characters are more connected than they think.  As Hana finds her strength to carry on amidst change, she also figures out what direction to focus her energy, her talents, and voice.

WHY I LIKE IT:

I absolutely love the writing.  I was invested in many of the characters, not just the protagonist, and absolutely cheered as she gave a nod to so many assumptions so that she could move past them: forced marriage, hijab, acceptable professions, inclusion, etc.. The family is all about choice and not getting hung up on stereotypes show the power that OWN voices have in telling stories that resonate with everyone.  The book is full of religion, from waking up for fajr, to listening to the khutbah at jumah, going to the masjid to find peace, and believing in destiny.  It is not a preachy book by any means, but the characters are Muslim inside and out.  The traditional family does not pressure Hana to get married, her sister’s marriage was a love one.  She is often alone with her male cousin or brother in law, or best friend Yusuf.  She knows who she is and her family trusts her.

I love the food, the insight of immigrants and family.  I was particularly moved by her articulation of being told by outsiders what it means to be Muslim in Canada, or an immigrant and then not being listened to when pushed back upon. Her challenging a teacher on what the fourth pillar of Islam is and not being heard, resonated profoundly.

Within the first 100 pages or so the reader figures out who everyone is and how they are connected, save one surprise, but it is like watching a favorite movie, you keep going because it is fun, and enjoyable and the point isn’t to figure it out, but to enjoy the ride.

FLAGS:

There are relationship threads, but nothing more detailed than a hand touch after a funeral.  Her best friend Yusuf marries their best friend Lily an Agnostic, knowing that both families are against it.  There is music and racist talk and vandalism.

TOOLS FOR LEADING THE DISCUSSION:

The high school book club usually tries to include a halal romance novel for the loyal participants that clamor for it in the group and I plan to suggest this one to them.  For as light and straightforward as the book is, there is a lot to discuss when the surface is peeled back.  There would be lot to explore from her podcast, internship experience, and her hate crime experience, that the romance part will be seen as simply a vessel to more profound issues to explore.

Counting Down with You by Tashie Bhuiyan

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Counting Down with You by Tashie Bhuiyan

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I have to be honest that this book really held my attention and was hard to put down for about two-thirds of the 416 pages.  I was genuinely invested in the characters and wanted to see how it all resolved.  Sadly, by the end, I was disappointed with the conclusion, the predictability, the stereotypes, and the cliche’ of it all.  The author mentions in the forward that she is representing her story, not a representation of all Bangladeshi- Muslim American girls, but for an OWN voice book with such a clever premise, I really wanted to be shown more than I was told, I wanted to feel the protagonists strength, and cheer her on as she found her happiness on her terms.  But alas I felt that she let other’s fight her battles and she really only threw her religion and culture around as weighted plot oppressors, not as strands of her life that she had to decide to embrace or understand in the process of growing into herself.  There was a lot of potential to discuss mental health and family expectation, but the end unraveled all that the book could have been.  Undoubtedly the author is a good writer, and brown Muslims are not a monolith, but I feel like sometimes we need to square away who we are before we just clamor for what we want.  This book has relationships, it is a romance novel afterall, but whether the characters are straight or LGBTQ+, there isn’t more than kissing and hand holding and would probably be fine for 9th grade and up if you are ok with a Muslim lead lying to her parents and having a boyfriend.

SYNOPSIS:

Karina Ahmed is 16 and expected to be a doctor when she grows up.  Her conservative Muslim parents are immigrants from Bangladesh and very over protective of their oldest child.  Samir her younger brother, a freshman, is a robotics nerd and the pride of their family.  Karina loves English and wants nothing more to major in English in college, but her parents are insistent and despite her struggles with math and science she is determined she has no choice in the matter and must make them proud by being a doctor.  This inability to be what her parents want has caused tremendous anxiety within Karina and when her parents leave for a vacation to Bangladesh for a month, she is hoping to be able to relax and enjoy life for 28 days with her Dadu, paternal grandma, and her friends, Cora and Nandini.

The only extracurricular activities Karina is allowed are Pre-Med Society and tutoring, where she helps others with English.  Her teacher asks her to tutor a classmate one on one to prepare for the end of the year exams, and reluctantly she agrees.  Very reluctantly.  The classmate is brooding resident bad boy Ace Clyde, a beautiful slacker that seems to not care about much.  In Karina’s efforts to get Ace to study and taking advantage of limited parental supervision, Karina goes with Ace to a sweetshop and even ends up at his house where she meets his family.  Ace is not ready to admit to his incredibly wealthy family that he is seeking help from a tutor and instead introduces Karina as his girlfriend.  Ace’s older brother Xander, the Student Body Class President, isn’t buying it, so Ace announces it on social media and shows up the next day with coffee for Karina as he walks her to class determined to convince everyone that they are indeed a couple. Karina is not ok with this, but he does promise her a dozen books a week and he is aware that the “relationship” can only last 28 days, so she is in.   Karina’s friends predict that they will fall hopelessly in love and they are pretty correct.  Over the course of the next three and half weeks the two grow closer, he even comes over and spends time with Dadu and Samir.  She encourages him to fix his relationship with his family, and he encourages her to fix hers.  And somewhere in the midst of pretending they decide to make it real and then Karina’s parents return.  She at this point has been cheered on to stand her ground on confronting them about not wanting to be a doctor by Ace, Cora, Nandini, Dadu and Samir.  The conversation does not go well and Karina goes into a two week slump pushing everyone out before she *spoiler alert* resolves to date Ace in secret as long as he respects her lines, and Dadu stands up to her parents for her.  The story concludes with her going to Jr. Prom and her resolved to just stay strong for a little while longer until she is “free.”

WHY I LIKE IT:

I like that I really didn’t know if the book would turn cliche until it ultimately did.  I really liked the realness and rawness of Karina coping with her anxiety and her friends supporting her in Googling coping mechanisms and helping her test them out.  I feel like it was a missed opportunity for Karina’s parents to not reach out to her, or for Karina to even mention that they were missing it.  I think readers that see themselves in Karina would have hoped to see that story thread play out and give them hope of getting help and support or at least getting it out in the open to normalize it.  I love the growth of Samir once Karina make him aware of the double standard, but I feel like he doesn’t read with a consistent persona.  He has a job, he has friends, he likes a girl, but he reads like he is clueless and maybe 10 years old at best, not in high school.  A bit off for me.  And of course you have to love Dadu, a wise old woman who supports her grandchildren and sticks up for them.  I wish Karina would have taken her cues from her beloved grandmother and stood up to her parents with Dadu in the room rather than let Dadu fight the fight and just stand there.  I thought the big climax would be Karina standing up to her parents, so I felt let down when she let someone else fight her fight.  Yes Karina tried and failed, but I think her grandmother should have backed her up in round two, not taken over.

Karina throughout says she is Bangladeshi-Muslim and uses it as a reason to fear her parents and feel obligated to not date or study English.  She does say she isn’t against religion, and actually likes being a Muslim and praying and knows Allah loves her, but that it is the tradition that blindly is followed that gives her trouble.  Her maternal grandfather is an Imam and her mom is much stricter than her father, but he follows her lead in raising the kids.  My critique isn’t so much to argue with the author’s perspective about religious standards, but more a literary one, when the character says she is Muslim and uses that to reason why she has lines, but yet is never seen praying or wresting with what she wants and what she believes.  Never asking Allah for help with her anxiety or confronting her parents or anything for that matter.  As soon as her parents leave she is in a crop top, so where is the religious line and where is the cultural one?  Where is her understanding of her culture and where it fits in her life and where she wants it to fit in her future? Is she Muslim because her parents are or because she believes it? She won’t eat ham, and eats halal, but later eats meat at Ace’s house? Everyone, even fictional characters, get agency, but in a book where the premise is a fake relationship turned real turned rebellious because of religion and culture, a little introspection seems warranted.

The conclusion after hundreds of pages of being called lionhearted and brave and strong seemed diminished when going to prom and lying to parents and having grandma fight your battle is the happy ending.

FLAGS:

Relationships: The main couple hold hands and kiss. There is a supporting character that is bisexual as is a cousin, one is gay, they hold hands and kiss as well. Nothing more than that or detailed. There is lying and deception.

TOOLS FOR LEADING THE DISCUSSION:

I don’t think I would do this as an Islamic School book club selection because it would imply agreement with lying and going behind your parents backs.  Granted her parents are difficult and her grandma is aware and ok with the situation, but I still think it would send the wrong message to endorse such behavior from a religious school perspective.

The Servant by Fatima Sharafeddine

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img_6859This 157 page young adult book is translated from Arabic and while at times the story seems intentionally choppy, at other times it seems that the translation is making it more jarring than it needs to be.  I found the book interesting and powerful, in much the way a short story can be, but the length was awkward, as it was too long for a short story, and not long enough to really read as a novel with detail and depth and connection.  I love the growth and retaking of control that the protagonist embodies and I absolutely love the ending being left intentionally unresolved.  There is no mention of religion in this story set in Lebanon, until nearly the end when it states that she is Muslim.  I wonder if the translation took out some of the ‘Salams’ and ‘inshaAllahs’ that would have clarified it a bit even if prayer, or the athan or any outward signs of being a Muslim are clearly absent.  The book is probably fine for ages 13 and up.

SYNOPSIS:

Faten is essentially sold in to servitude by her family.  Her family lives in a village outside Beirut and when money gets tight she is forced to go and work as a house keeper/maid for the Zein family.  Once a month Faten’s father comes and collects her salary showing little to know affection for the eldest of his children. The small Zein family has two daughters and lives in a flat.  While the girls are in school, Faten cooks and cleans and dreams of being a nurse.  The family is not particularly cruel to Faten, they often refer to her simply as ‘girl,’ but they are not particularly kind to her either.  The highlight of Faten’s day is watching a young man across the street that drives a dark blue car, come home, study, and play piano.  On occasion she catches his eye, so he knows she exists, but the two know nothing about one another.  On Faten’s 17th birthday she decides she is going to gift her self something, and writes a letter to the blond man across the street.  She has her only friend in Beirut, Rosalynn, a much older house servant in the apartment downstairs from Sierra Leon, deliver the letter which asks the boy to meet her so that she might seek his help in a very important manner.

When Faten and Marwan meet, Faten asks him to obtain information about how she might study nursing and change her future.  The two secretly meet with Rosalynn’s help on Sunday’s, Faten’s one day off.  Faten borrows May’s books to study as she learns what exams she must take to make her dream a reality.  Marwan helps her with questions she needs assistance with and Faten and Marwan become close friends, with both feeling some attraction for one another just beneath the surface.  One day however, they are discovered by a friend of Mrs. Zein at a beach side cafe, drinking coffee and Faten is forbidden from leaving the apartment as a result.  With the oldest girl, May, married now, and nothing to look forward to on her days off, Faten dives in to her studies and is more determined than ever to pass her exams.

To even take the multiple day exam requires a few lies, a few favors, and the willingness to take a huge risk.  When the Zein’s find out she is let go, and now must face her parents back in the village.  With the help of her childhood friend, Faten clings to hope, confidence in her ability, and determination to pave her own way on her own terms.

WHY I LIKE IT:

I love that while Faten is the victim of cruel parents, and an unfortunate circumstance, she rises up and fights for control.  I love that she has feelings for Marwan, but that they don’t overshadow her future goals, nor does she become overly dependent on him.  I really love her strength in handling the situation with him when it is good, when it is tested, and when she has to walk away.  There are elements of it being a love story, but that is just one thread of the book, her charting her own path is much more the central story line.  I wish her religion and his religion would have come to the surface more, and sooner.  Lebanon is a diverse place and just saying they were of two different faiths could have provided a lot of insight and fleshing out of the culture and the dynamics the two would have faced.  The classism is a bit obvious, but even when that is explored it provides a better understanding to the characters and to the arc they are moving on.  I like that her childhood friend and family are so loving and that her mom is not completely written off as a passive flat character.  Overall, I like the story and the book, set in the 80’s it really could have gone a lot of ways, but it held close to the theme and provided enough side details that it felt grounded, believable and ultimately was enjoyable to read.

FLAGS:

When May is entertaining suitors there is some ogling that young kids might question.  There is a lot of lying and deception and the possible romance between Faten and Marwan that in the text is pretty clean, but there is some hand holding if memory serves and implied desire for the friendship to be more.

TOOLS FOR LEADING THE DISCUSSION:

The book offers a lot in terms of classism and forced labor to be discussed and the cliffhanger ending between Marwan and Faten would allow the readers to decide if they could be together despite their different faiths, economic status and families, or not.  I probably wouldn’t do it as a book club, but if I were a high school teacher, I might offer some sort of extra credit assignment involving the book, as the ending really lends itself to the reader projecting the characters’ futures based on their own perspectives which would be fascinating to hear.

That Can Be Arranged: A Muslim Love Story by Huda Fahmy

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That Can Be Arranged: A Muslim Love Story by Huda Fahmy

arranged

I’m not entirely sure why I didn’t review and highlight the first book, “Yes, I’m Hot in This: The Hilarious Truth About Life in a Hijab” I really should have, so to cut to the chase if you don’t follow the author/illustrator on social media you really should and you should read both her books.  Both are for all ages and while meant for adults, teens and tweens love it as well, I should know I’ve purchased and gifted over a dozen of them. I find my kids thumbing through both books a lot: my (early) teen girl and my tween boys.  Part of is it because the comics are funny, relatable, but more importantly as I’m learning from my kids, because they are curious.  In this book particularly, it is a great example of how Muslim marriages can happen, sure my kids know how my husband and my marriage was “arranged,” but they are constantly surrounded by ideas of dating and crushes and even divorce that I never realized that a book like this, featuring Muslims, actually Islamically contextualizes some of their gleamed information.  The fact that the book is hilarious and clean and rings with such honesty, makes it easier for them to articulate their questions and removes some of the taboo as well.  So, buy it for yourself to enjoy and if you have kids 11 and up in your home, you are ok to let them read it too.

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SYNOPSIS:

It isn’t a chapter book, it is part comic book, part story, part info-graphic, and all biographical.  The book opens with an ayat about spouses from the Quran and follows with an informative and funny message to the reader.  Seriously, I laughed as she explained about drawing herself with hijab in bed and noting that most people don’t read the notes to the reader at the beginning. There are also a list of helpful terms before the introduction begins.  Her story is broken up in to sections to pace and move the story along.  It starts with the ground work of expectations and cultural norms and then tells her story of how she eventually met and married her husband.  Not that it is straight forward, the book is 192 pages.  There is a decent amount of explaining Islam and the role culture plays in the many pitfalls and big decisions along the way.

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WHY I LOVE IT:

I think any female, born Muslim, over the age of 20 will relate to a lot in this, lots of others will as well, but that demographic specifically will find parts very reflective of their own experiences.  I love that it shows the banter between the protagonist and her mother, truly that to me was the heart of the story.  I love that it shows female empowerment and vulnerability at the same time within an Islamic context and unapologetically.  This book is by a Muslim for Muslims, but non Muslims will enjoy it as well.  It dispels and illustrates what an “arranged marriage” can mean for Muslims and shows that there is more than one way to understand the label.

I love the size of the book, the binding and the page quality.  I had no problems with “Yes, I’m Hot in This,” but after seeing the larger size of this book 7 x 8 and the thicker pages, I really preferred this presentation.

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FLAGS:

Clean

TOOLS FOR LEADING THE DISCUSSION:

Obviously not really a candidate for a book club, but I think teen girls would enjoy reading this and laughing about it with a group of friends.

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So fun and so good, alhumdulillah.

More Than Just a Pretty Face by Syed M. Masood

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more than just a pretty face

This book is a Muslim YA romcom OWN voice written by a Muslim male.  Woah, right? And the actual story, sigh (blush) I enjoyed it, and part of me is disappointed in myself for how much I enjoyed it.  Most of the characters are Muslim and all over the spectrum in their religiosity so to speak, there are a lot of jokes at the expense of tenants in Islam and trivializing of certain concepts which really isn’t something to celebrate, but it reads real and there is a lot of Islam that is front and center and deep and though provoking. For most non Muslim readers, I’m sure 15 or 16 and up would be fine with the content and 353 page length, but as a former Islamic School Librarian, I’d have to reserve recommendations to college age.  The protagonist is 19, there is talk of sex, but not crass, the main female character has a past that includes a sex tape, and there is a lot of language, but its also really funny and really relatable and really sweet and takes place in high school.

SYNOPSIS:

Danyal is a pretty face, but he isn’t very bright.  He goes to an elite private school though somehow, and while he is admittedly dingy, he is also very kind, innocent and generous.  He was held back at some point in school and is 19 as a senior in high school.  He works in a French restaurant and dreams of being a chef.  He has no desire to go to college and as the only son of Pakistani immigrants, they are not thrilled with their son’t future plans.  Danyal is pretty chill about it though and his mom wants to arrange his marriage, and he is willing, although he is crazy in love with his friend’s twin sister.  He is religious and hasn’t really broken any of the Islamic relationship rules, he prays fajr, and just kinda floats through life doing the best he can and forgiving himself and others when they mess up.

When his mom arranges a meeting with Bisma he is willing to get to know if they are a match.  She however, fully discloses her past to him when they head out for coffee, which involves her rebelling, once a few years earlier, against her father and going to a party, further rebelling and getting drunk and then making the poor and regrettable choice to sleep with someone.  To make matters worse, the event was video taped and spread around the community forcing the family to move.  Bisma is pretty religious and really studious and really sorry, but her father and most community people don’t let it go.  Danyal thinks that is stupid, one mistake shouldn’t haunt her forever, unfortunately he doesn’t think chivalry and pity are enough of a reason to marry her as he doesn’t think they are meant for each other.  Basically, he is still really crushing on Kaval.  So he and Bisma decide to be friends.

When Danyal’s history teacher in a fit of spite nominates Danyal for a prestigious Renaissance Man competition, Danyal calls on Bisma for help.  The topic is Winston Churchill, the beloved British leader, but Danyal quickly learns he is not beloved by most Indian subcontinent people.  Kaval offers to help so that Danyal can win the competition, impress her parents and then maybe give them a chance.  But, suddenly Danyal doesn’t know if that is what he wants.  He wants to be himself, he wants to be accepted, he wants Bisma.

WHY I LIKE IT:

You know how it is going to end, you don’t know entirely how it is going to get there, but you know where it is headed, yet the book is still compelling and fun.  Between the banter of the religious friend, and the no longer religious friend, the advice the French Chef bestows on Danyal and Danyal’s complete and utter cluelessness to everything, the book is really warm and the characters really like-able.  I dislike the stereotype of the “religious” character, but the other side characters are better developed.

On occasion I think Danyal’s stupidity is over done, he isn’t an idiot, he just isn’t book smart. So when he doesn’t know what “break a leg” implies for example, it seems a tiny bit off.  I know his friends say he isn’t funny, but I think he is hilarious, especially with his commentary on the Desi community.  “It is the curse of brown boys everywhere.  We either die young or we live long enough to see ourselves become uncles.”

The role of Islam is incredibly prominent, and the characters understand what it means to be Muslim differently.  Sometime I agreed with them, sometimes I didn’t, sometimes the characters didn’t agree with each other, sometimes they did.  There is a lot to think about: destiny, Allah’s mercy, Qalb-e-saleem (a pure heart), caring for the less fortunate.  Even politically there is a strong thread of colonialism, which the characters wrestle with and with being immigrant’s children.   There is a lot packed in, but it flows so smooth and the writing rich with authenticity, that quite often I would laugh out loud and read various lines to my young children.

FLAGS:

Talk of sex and losing virginity, but not detailed, just stated.  The chef is a lesbian.  There is lots of language including the F word, not thrown in effortlessly, usually for a reason, and often reprimanded.  There are a few kisses on the cheek and lips between Danyal and Bisma, but in a Disney princess movie sort of way.

TOOLS FOR LEADING THE DISCUSSION:

Not for middle or even high school book club. I don’t think that it is a completely “halal” romance story, but I think I wouldn’t be concerned if juniors and seniors were reading it, I think they would love it, and I might just have a few that I want to suggest it to…

 

The Candle and the Flame by Nafiza Azad

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The Candle and the Flame by Nafiza Azad

flame

It takes about 124 pages to be swept away to the city of Noor, but once it happens, it is hard to come back.  The 391 page fantasy story takes a while to get going, but the character driven plot filled with amazingly strong and diverse women is worth the slow start.  Middle school readers and up (AR 5.8) will enjoy the blend of Islamic imagery, sub-continent Asian culture, fire, Ifrits, Djinn, family, relate-ablity and good quality story telling.  The fact that it is a main stream book, with so much religion and culture makes it all the more remarkable in its universal appeal.

SYNOPSIS:

Fatima is a Muslim girl adopted by a Hindu family, only everyone in the entire city was killed eight years ago except for Fatima, her adopted sister, and an elderly lady, when the Shayateen attacked.  The orderly Ifrit were asked to defeat the Shayateen and protect the city, and when they did, the wealthy returned along with people from other cities.  Thus Noor is now a vibrant city of different backgrounds, cultures, religions, and languages repopulated and ruled in halves by the Maharaja, Aarush and Ifrit Emir, Zulfikar.

Fatima works as a messenger and her favorite place to deliver packages to is an old book shop owned by Firdaus, an Ifrit she regards as a fatherly figure.  He has taught her languages and provides her a place to learn and grow.  When he dies in front of Fatima, she is forever changed, literally, he transfers his powers to her, and she is now not only part human, part Ifrit, but also the Name Giver, an incredibly powerful and important being in bringing the smokeless Djinn from their wold to her hers.

With rebel forces threatening the Maharaja’s rule, Ghul and Shayateen entering the city, a taint threatening the leader of the Ifrit, a traitor in each palace, and a budding romance between Fatima and Zulfiqar, the characters pull you in and create an enjoyable story that is vivid, fantastic, and hard to put down.

WHY I LIKE IT:

The story doesn’t have a neat and tidy plot culminating in a climax, but the character arcs and vivid world building pull you in and keep you interested.  I love that the characters are different and complex and unique, and that women are so so strong and celebrated for their strength in all spheres, not at the expense of the males, but solidly in their own right.  It is refreshing and glorious to see the matriarchal Ifrit world contrasted with the human world, and the strong females that emerge in both.

I love that there is so much diversity and tolerance and the book doesn’t shy away from presenting faith practices and acceptance in such an honest manner.  There is a four page glossary and it is needed, yet not overwhelming at the same time.  The most read page in the book for me however, was the Dramatis Personae page listing the characters.  Until that 124 page mark, I was constantly flipping back trying to keep everyone straight, not so much because the characters are confusing, but “what” they are took a little while to stick.

I got sucked in by this book truly, I ignored my children during our Corona virus quarantine one day to read the second half, and I don’t regret it one bit.  The romance, was a bit cheesy at the end, but it was clean, and sweet and presented as a way forward, not as a settling or sacrificing choice for either character which was greatly appreciated.

FLAGS:

There are a few kisses once the two main characters are married.  There is stalking and attempted sexual assault by a character, but Fatima more than took care of that with the support of many strong females.  There is mention of a homosexual relationship, but not dwelled on, and I think one could argue that there is  possibly something more going on between two of the females, but it isn’t explored.  There is death and killing and violence, but nothing extreme.

TOOLS FOR LEADING THE DISCUSSION:

I had hoped to sneak this in for book club next month, but with school closed indefinitely, it might have to wait until next year. I think girls will gravitate more to it than boys, but I think that is ok, because often girls need more of a nudge, in my experience, to give fantasy a try.  I am trying to convince my daughter to read it, but the first 100 pages are pretty slow, so if I can’t force her through it, I don’t know what chance I’ll have, here’s hoping.

NPR Review: https://www.npr.org/2019/05/18/724120066/language-has-magic-in-the-candle-and-the-flame

Interview with Nafiza Azad and Hafsah Faizal (We Hunt the Flame) https://www.slj.com/?detailStory=hafsah-faizal-and-nafiza-azad-interview

Yes No Maybe So by Becky Ablertalli and Aisha Saeed

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Yes No Maybe So by Becky Ablertalli and Aisha Saeed

yes no

This new rom com in book form with a Muslim female character written by a Muslim author, sets itself apart by being co-written by a Jewish author and the other half of the love story being told by a Jewish boy’s point of view.  This YA book is very relevant as a special election in Georgia served as the catalyst of the two authors coming together and fictionalizing the effects of white supremacy, Islamaphobia, and antisemitism for the book, while real headlines were urging the two to canvas, get involved, and make a change against the increased showing of hate with the election of Trump.  The presentation of Islam is probably realistic, but definitely not ideal, and with the kissing, multiple LGBTQ+ supporting characters, the profanities, and 436 page length, the book is probably best for 15 year old readers and up.

SYNOPSIS:

Jamie Goldberg is 17 and is spending his summer helping his cousin work on a special election campaign for a Democratic candidate in an incredibly red district in Georgia.  A very nervous kid, who hates public speaking and talking to girls in general, he would rather be behind the scenes or hanging out at Target.  His little sister, Sophie’s bat mitzvah is coming and things at home are crazy with pre party planning.  His grandma, an Instagram sensation uses him for tech support and video filming, and his easy going demeanor means he spends a lot of time, being bossed around.

Maya is the 17 year old only child of a lawyer mom and physician dad and has just found out that they are separating.  With her one friend too busy with work and starting at the University of Georgia, US born, Pakistani-American Muslim Maya, is not having a very good Ramadan.  When an interfaith event reunites her with a childhood play-date friend, Jamie, her mom convinces her to help him canvas to keep busy and sweetens the deal by bribing her with a car.

Naturally the two spend a lot of time together vounteering for Jordan Rossum, stuffing envelopes, canvassing, and putting up signs.  Along their way they become good friends, and invested in the election as a House Bill banning head coverings, and antisemitic bumper stickers start getting plastered around town.  The end of Ramadan, the election, the hate the two encounter, and families changing, bring Jamie and Maya together.

Maya’s parents are pretty chill about boys, and only caution her about unnecessary complications by dating in high school, when Maya throws it back on them, that their relationship is pretty complicated, she seems to not find an Islamic reason not to make-out with Jamie.  The whole book is angsty and the two feign cluelessness, but based on the cover of the book alone you know where it is going.  The true climax is how much the relationship can be used for political gain, and if they can get their candidate elected.

WHY I LIKE IT:

I like the political setting, it is a different and very relevant slant.  It might be a little alienating to readers outside the United States, because the political process isn’t really detailed, but the characters involvement in their small slice is a major aspect of the book.  The book is definitely pro Democrat, but addresses the gas lighting, hate speech, and views of those on both sides.

I also like that two minority authors came together to share an OWN voice perspective of life today.  For the most part the story telling is smooth with the two characters getting alternating chapters to tell their story from their point of view.  A few times, I felt details were missing, for example what Maya wore for Eid, when space was given to detail that she didn’t wear ethnic clothes to an iftar, and her picking a dress for Sophie’s bat mitzvah.  Similarly, Maya’s parents seemed flat for their trial separation being a major part of Maya’s stress.  Jamie’s grandma was probably my favorite side character, and one of the most fleshed out.

I am fully aware that some Muslims pick and chose what to follow and that not everyone is strict about boy/girl relations, but I felt like for a book that is set in Ramadan, uses religion as a catalyst for civic action, Maya’s mom wearing hijab, and an opening scene being set at the masjid, there is really nothing Islam in the defining aspects of the characters or story.  It is so watered down and almost catering to non Muslims to feel comfortable, that it left me annoyed.  And I think non Muslims too will wonder why Maya’s mom covers and Maya doesn’t and how that works, or why Maya switches to having one reason for not dating and then a religious one.

The book sets out to do a lot in terms of humanizing the effects of laws and policy on average people, but I don’t know that most Muslims hoping to see a mirror to their experience will find that in Maya.  I can’t speak about Jamie, and the Jewish experience, but Maya is rather forgettable in my opinion.

FLAGS:

There is a lot of cursing, and the F word at that.  In the dialogue set in Ramadan, it becomes a joke to substitute it for something else, but once the month is over, the language resumes.  There is kissing, and making-out with the main characters.  There is talk of hooking up, but nothing explicit.  There are is a side character friend that is gay and he and his boyfriend are affectionate.  After the bat mitzvah Sophie comes out to Jamie.

TOOLS FOR LEADING THE DISCUSSION:

I don’t think that I could do this as a middle school selection, the rationale for Jamie and Maya dating, isn’t ok for an Islamic School message.  I really wish just once, a book like this would have the main character, being like, “nope, sorry.”  It is getting predictable and while I know it is countering the oppressed woman view, it is becoming equally one dimensional in its presentation of Muslim women.