Tag Archives: Silly

The Farmer’s Wife by Idries Shah illustrated by Rose Mary Santiago

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The Farmer’s Wife by Idries Shah illustrated by Rose Mary Santiago

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The book reads very much like the western children’s story/song, “I know an old lady who swallowed a fly,” but in this Sufi inspired repetitive story, An old Farmer’s wife can’t get an apple out of a hole.  

The silliness starts right away when she wants to get a bird to fly down the hole to get it for her.  When the bird says, “tweet,” which means no, she deems him naughty and then moves on to asking a cat to jump on the bird, to get the bird to get the apple.  The funny thing is the chain of events is funny and illogical at points. She wants water in a puddle, to put out a fire to burn a rope, the rope to tie up a bee keeper, and so on.  Luckily the wind finally blows the apple out of the hole and they all live happily ever after.

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The book supposedly is to teach patience, I am hoping to use it when I do a lesson on thinking outside the box and how sometimes that is great, but the trick is knowing when it might also be easier to reach down and pick up the apple.  

The book is AR 3.4 and 32 pages.  Many versions are dual languages.  The pictures are great with the abiya wearing woman and the chunky cartoonish side characters making the silly story fun to read a loud.  There is nothing “islamic” other than the illustrations showing the woman in hijab, and the author being a well known sufi writer who uses lessons from the Sufi tradition to teach lessons to children.

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Hamza Learns About Eid-ul-Adha by Asna Chaudhry

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Hamza Learns About Eid-ul-Adha by Asna Chaudhry

 

FullSizeRender (20)Hamza returns in this book to learn about Eid-ul-Adha, and the story is hilarious, and on point for ages three and up.  The sentences and paragraphs are short, the pictures are bright and colorful like always, and the basics of Eid are conveyed.  The age of the reader or listener will greatly depend on what they get out of the story, as some may need help understanding concepts like sacrifice, slaughter, sacred, commemorate, counting sheep to sleep, and why the book is silly.

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Hamza sees his older sister Aisha decorating the house for Eid-ul-Adha and wants to learn more about the holiday.  He goes to find his mom who starts to explain that it is a day of feasting “to commemorate when Prophet Ibrahim (pbuh) was going to sacrifice his son according to Allah’s command.”  Unfortunately for Hamza, mom then gets a phone call and Hamza runs for his life thinking that he too will be sacrificed.  When Hamza’s brother Ali finds him hiding under the bed, Ali explains that only animals are sacrificed, and tells him about how Allah swt commanded Prophet Ibrahim to sacrifice his son Ismail.  

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Hamza then worries about the animals that are sacrificed and Ali explains that when done in an Islamic manner, they feel little pain and that the meat is to be shared.  With his heart at ease, Hamza is ready to enjoy Eid-ul-Adha.

Alana’s Bananas by Mariam Hussein illustrated by Saima Riaz

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Alana’s Bananas by Mariam Hussein illustrated by Saima Riaz

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A silly, silly book about a girl’s love of bananas and her despair when a storm wipes out the banana crops in Costa Rica.  The moral of the story is to try new foods, and in 36 pages I think the reader will grasp just how over the top Alana’s obsession with bananas truly is and the lesson will be learned.

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My only stumbling block is I’m not sure what age the book is for.  The bright silly pictures work well for ages 3 and up.  The theme works well for ages 4 and up.  The amount of text on the page, however, is more 6 or 7 and up, and the concepts of where banana’s come from, multiple uses for banana peels is about the same.  The character in the book, Alana, is eight and goes to the library and reads cook books and cooks independently, but the way her parents trick her into eating other foods is to hide eggs, peanut butter, rice, avocados and anything else they could find in banana peels, which keeps with the silliness of it all, but seems a bit off for 8 years old. Also talk about very patient parents allowing their 8 year old to only eat bananas for so long, and then not being upset when they have to resort to extreme levels of trickery.

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There is nothing islamic in the text, and the only islamic elements are the author, illustrator, and the family based on the illustrations.  The mom wears hijab, but it is neither mentioned or referenced and no islamic vocabulary or phrases are in the story. In a scene at school, the girl sitting next to Alana is wearing hijab.

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The book is about 10×10 and sturdy in its construction.  The back cover has a recipe for Alana’s Banana Breakfast Muffins. Enjoy!

Hamza’s First Fast by Asna Chaudhry

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Hamza’s First Fast by Asna Chaudhry

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Hamza’s First Fast starts out a bit wordy as the author tries to explain what Ramadan is and who is required to fast and why, before getting to the actual story line of the book.  The premise that Hamza’s siblings are fasting and that Hamza doesn’t know why or that it is Ramadan is a little questionable to me, but I doubt most 2-6 year olds are as cynical as I am.  Once the story gets going, however, the amount of text on the page drastically decreases to fit the younger demographic and the point of the book is charmingly exposed.

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Hamza understands that he doesn’t “have” to fast, but decides he “wants” to try. He prays with his dad, his sister helps him to understand how fortunate he is to have food, he goes outside to play, and he even tries to get lost in some video games.  But, it still isn’t time to break his fast and he is hungry! As his frustration mounts he decides to sneak a cookie, but when he gets it, he will have to decide to eat it or not.

I like that it is realistic that fasting for kids is hard, and can be really frustrating. It still encourages them to try, and the family members support him which is nice.  It also stays positive framing it that Allah will be pleased if he fasts, not that Allah will be disappointed if he eats the cookie.  Overall, there isn’t much religious rationale for why we fast and the Islamic traditions celebrated as the book stays on age level in what Hamza does.  This leaves the door open for discussion, lessons, insights, and interpretation, but does not weigh the book down with it.

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Perseverance is the theme of the story and that it feels good to do something hard.

Amina’s Voice by Hena Khan

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This book really marked a shift in Islamic fiction for me and the genre.  First of all I was waiting for the book to come out.  I didn’t stumble upon it or hear about it from someone else.  I knew when it was going to be released, and I knew I wanted to read it. Additionally it was the first books published by Salaam Reads, an imprint of Simon and Schuster. Which according to their website was “founded in 2016, Salaam Reads is an imprint that aims to introduce readers of all faiths and backgrounds to a wide variety of Muslim children and families, and offer Muslim kids an opportunity to see themselves reflected positively in published works.”  This is big, huge in fact.  The bar has been raised, and a platform has been given, no more excuses.

Alhumdulillah, Amina’s Voice is a beautiful 197 page book for children ages 8-12.  The book is not AR, but probably will be in a few weeks.  I think it is spot on for 3rd through 5th grade in terms of content, message, and appeal.  The book caters to females and Muslims, but naturally is not limited to those two demographics exclusively.  There are characters of a variety of ethnic and religious backgrounds in the novel that play significant roles in saving the day and keeping the book powerfully optimistic and inspiring.

SYNOPSIS:

Amina is starting middle school and everything is changing for Amina. Her friends are acting different, her older brother is skirting with trouble and her religious uncle is coming to visit from Pakistan.  Internally, she doesn’t like the spotlight but desperately wants to get out from behind the piano to sing.  All of this combines in a climax that pivots around the destruction of the mosque she attends and her having to find her voice, and use it to take center stage in her own life.

WHY I LIKE IT:

There is a lot going on in the book, but it doesn’t get over whelming with Amina’s voice keeping the reader focused on her and her view of the events around her.  The author does a good job of getting inside a 12 year-old girls head without being condescending or heartless.  The reader feels her stress that she is losing her best friend, Soojin to Emily, a girl who used to torment the two “ethnic” girls, without belittling her concerns.  You also feel her love of Islam and struggle to understand if music and singing is permissible within Islamic rules.  The book is realistic fiction with school, friendships, and family guiding the story.  Everything from the ups and downs of group projects, inside jokes between siblings, and trying to pronounce the big HAA in Arabic.  The macro of middle elementary years combined with the micro facets of culture, religion, and current events, and you speak to a section of readers that will connect with Amina and what she goes through in a very authentic, relatable story.

The only points that gave me pause is the premise and music in the book.  It is a point of disagreement amongst nearly every group of Muslims, so to have the Imam sitting and listening to her play the piano, is a bit hard for me to accept as the norm, no matter how cool Imam Malik is.  Additionally, I wish that Amina’s mom had some depth, and the relationship between Amina and her uncle, Thaya Jaan, was fleshed out just a tad more.  In both cases I felt something was lacking, and I wanted more.

FLAGS:

Nothing major, but a few minor issues, that a parent may want to be aware of for younger readers.  Mustafa, Amina’s brother, is seeing skipping Sunday school class and reeking of cigarette smoke.  He denies it, and the issue is definitely not glorified.  There is also crushes discussed amongst Amina’s friends and when Amina spills a secret, she has to own up to it and work it out to maintain her friendships.  The destruction of the mosque could also be upsetting to younger readers.  It isn’t graphic, but her emotional response and the intensity of it, is the climax, and a very real part of our world sadly. For parents, this fictional vandalization could possibly be a great place to start a discussion from if your children are somehow unaware of the current status of Islam in the west.  It also shows that people are good, as the whole larger community, comes together to show unity, love, and respect are values to us all, alhumdulillah.

TOOLS FOR LEADING THE DISCUSSION:

This book would be perfect for a 3rd through 5th book club.  If I was starting a new book club I would start with this book.  It has it all. It has real issues, religious issues, universal issues, and heart.  All while staying on age level and all in a realistic fiction safe space to have an opinion about objectively.  The discussions after the book is read will flow naturally, but just in case:

Reading Group Guide:  http://www.simonandschuster.com/books/Aminas-Voice/Hena-Khan/9781481492065/reading_group_guide

Author’s Page: https://www.henakhan.com/

 

 

 

 

 

 

 

Samira and the Skeletons by Camilla Kuhn

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Samira and the Skeletons by Camilla Kuhn

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Quite possibly there is nothing Islamic about this book, but the main character’s name, Samira, is traditionally an Islamic name and thus it caught my attention.  I also think one could argue that the mom in one of the pictures (see picture below) is possibly wearing a hijab.  So, probably I shouldn’t include it on the blog, but the book is so disturbingly creepy, in a fantastical way, that I thought, why not.

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Samira learns that everyone has a skeleton and bones one day at school, and it frightens her.  She starts seeing everyone’s skulls instead of their outward body parts and she refuses to accept that she has such morbid parts or that her friend Frida does too.  Knowing that she is chewing with teeth, skeleton parts poking through, at lunch is too much and she can’t even be near Frida.  When she gets home she tells her mom she wants to be free of her skeleton, and her mom agrees.  Yes, agrees! They resolve the tooth fairy will be delighted to get a whole skeleton, not just a few teeth.  So the mom, gets some tools and preps a table to perform the surgery required to remove her skeleton.  Luckily Samira runs for it and finds Frida, and alas the girls accept that they have skeletons and use humor to diffuse the fears they have of what lurks beneath their skin.  That is of course until the next day at school comes, and they learn that they have muscles, just like steak.

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The imagination of the girls is quite remarkable.  I love that it starts with a lesson and that information about skeletons and animals, such as jelly fish that don’t have them exist, is sprinkled through out.  I also like the approach, its weird, but in a delightfully fun way.  It also lends itself well to a discussion of how we are more alike than different.  Our outward appearance doesn’t define us when we are all made up of bones and muscles.  The story doesn’t address it, but some kids might infer it or connect the dots with a little prodding.    img_3064

The book is not AR, but I think most 5 year olds and up can read it or follow along giggling all the way through.  It probably isn’t for every child, but those with a darker sense of humor will enjoy all 34 pages.

A Tale from Turkey The Hungry Coat by Demi

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A Tale from Turkey The Hungry Coat by Demi

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It really bothered me that I didn’t love the version I read of  The Parrot and the Turkey about Nasreddin Hodja, especially after finding out how entwined he is in Turkish culture, and reading some of his tales online.  So, when I found that Demi had also rewritten and illustrated a tale from his collection I was anxious to check it out.

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The  Hungry Coat is a charming story and Demi does a great job of bringing it to life with her pictures and storytelling abilities.  The book is 36 pages and a 4.1 on AR.  The text isn’t overwhelming in volume, but to read it definitely requires a bit of an older child’s vocabulary.  Words like caravansary, hostel, banquet, frisky, and commotion are scattered through out.  However, to listen to the story and to understand the message Nasrettin Hoca (an alternate spelling) is conveying, is easily enjoyed by children four and up.  The story flows very smoothly and the catch line of “Eat, coat! Eat!” makes the story absolutely delightful.

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Nasrettin Hoca always keeps an apple in his pocket for any goats he might pass while he is out and about.  One day he helps round-up a goat that has gotten lost, and in all the commotion had become quite a mess and lost too much time to go home and change his clothes before heading to a friend’s house for dinner.  Deciding to go in his patchy, smelly clothes, Nasrettin soon finds that none at the dinner party will sit by him, or even sit facing him.  He slips out quietly from the gathering and has an idea.  He goes home and preens himself, and returns to the party where he is greeted with attention and kindness.  At dinner he begins placing the food in his coat, rather than eating it.  Each time he opens his coat he commands it to eat.  After he fills his coat he pats his belly to the bemusement of all around him as they ask him what he is doing.  He makes his point that when he came in his old coat he wasn’t fed, but when he came dressed so beautifully he was, and thus clearly the coat was invited to dinner, not him.  Everyone cheered and learned the lesson.

“A coat may be fine, but a coat does not make a man.”

The illustrations are rich and detailed, but I did find myself a little put off when Nasrettin seemed to go from looking like an old little man, to being very effeminate.  The inconsistency bothered me a bit, which surprised me for a Demi illustration.  Also, it is worth noting that there is mention of wine in the story, that many may find off for a children’s book, particularly one about Muslims (Nasrettin was an Imam and a Dervish, so he may have drunk, I’m just saying it surprised me).  The last two pages of the book are an afterword about Nasrettin Hoca in real life and the influence of his folk tales and lessons.